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Acknowledgments | ix | |
Introduction: "It's not right for a body to know his own origins" | 1 | |
Chapter 1 | "I should be--American!" Abjection and the Asian (American) Body | 23 |
Chapter 2 | "The dance that's happening" Performance, Politics, and Asian American Theatre Companies | 57 |
Chapter 3 | "We'come a Chinatowng, Folks!" Resisting Abjection | 77 |
Chapter 4 | "I'll be here ... right where you left me" Mimetic Abjection/Abject Mimicry | 99 |
Chapter 5 | "Whose history is this, anyway?" Changing Geographies in Ping Chong's East-West Quartet | 129 |
Afterword: "Then we'll have drama" | 159 | |
Notes | 165 | |
References | 179 | |
Index | 189 |
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Add National Abjection: The Asian American Body Onstage, National Abjection explores the vexed relationship between Asian Americanness and Americanness through a focus on drama and performance art. Karen Shimakawa argues that the forms of Asian Americanness that appear in U.S. culture are a function , National Abjection: The Asian American Body Onstage to the inventory that you are selling on WonderClubX
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Add National Abjection: The Asian American Body Onstage, National Abjection explores the vexed relationship between Asian Americanness and Americanness through a focus on drama and performance art. Karen Shimakawa argues that the forms of Asian Americanness that appear in U.S. culture are a function , National Abjection: The Asian American Body Onstage to your collection on WonderClub |