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Acknowledgements | ||
Introduction | ||
On the Daguerreotype | 2 | |
A Lady Photographer who Never Photographs Men | 3 | |
Annals of My Glass House | 8 | |
Photography During the July Monarchy 1830-1898 | 14 | |
The Camera Against the Paris Commune | 21 | |
Extending the Grand Tour | 32 | |
Tracing Nadar | 37 | |
Germany: The Weimar Republic | 53 | |
Photomontage | 64 | |
The Supremacy of the Message - Dada | 66 | |
A Hundred Years of Photography | 70 | |
I Worked with Man Ray | 74 | |
The Photographic Conditions of Surrealism | 76 | |
A Mutable Mirror: Claude Cahun | 91 | |
The Armed Vision Disarmed - Radical Formalism from Weapon to Style | 96 | |
Photography, 1914 | 119 | |
Exhibitions and Commercial Work | 121 | |
In Pursuit of Perfection | 125 | |
Early Years | 127 | |
Life Begins | 133 | |
Looking at Life | 140 | |
The Assignment I'll Never Forget | 151 | |
A Crisis in the Intimate | 153 | |
One Time, One Place | 161 | |
The Photo League | 165 | |
Documentary Photography | 170 | |
The Politics of Photography | 174 | |
The Seige of St Malo | 178 | |
Star Wars: The Photographer as Polemicist in Vietnam | 185 | |
Photography at the Crossroads | 203 | |
What Shall We Tell the Children? Photography and Its Text (Books) | 207 | |
Crowned with Thorns: Creative Camera 1965-1978 | 223 | |
On Photography | 230 | |
What Becomes a Legend Most: The Short, Sad Career of Diane Arbus | 237 | |
Tina Modotti: Letters to Edward Weston | 251 | |
On Photography | 260 | |
Re-reading Edward Weston - Feminism, Photography and Psychoanalysis | 261 | |
Ansel Adams: The Eloquent Light | 270 | |
Good Intentions | 272 | |
Witkin's Others | 283 | |
The Other Side | 291 | |
Time Exposure: The Photographs of Patrick Faigenbaum | 295 | |
Cindy Sherman: Burning Down the House | 300 | |
Winning the Game When the Rules Have Been Changed: Art Photography and Postmodernism | 307 | |
Two Types of Photography Criticism Located in Relation to Lynn Silverman's Series | 319 | |
Of Mother Nature and Marlboro Men: An Inquiry into the Cultural Meanings of Landscape Photography | 333 | |
Dykes in Context: Some Problems in Minority Representation | 348 | |
Dialogue with Spectatorship: Barbara Kruger and Victor Burgin | 377 | |
Between Frames | 386 | |
The Pleasure of the Phototext | 394 | |
Interview: Fetishism of Black-and-White and the Vulgarity of Colour | 403 | |
Partial Recall | 413 | |
The Unveiled: Algerian Women | 422 | |
Through Indian Eyes | 427 | |
Essential Differences, Photographs of Mexican Women | 434 | |
A Strategy of Appearances - The Australian Bicentenary | 442 | |
Showing Our Faces - A Century of Black Women Photographed | 448 | |
Gateway to a Labyrinth | 457 | |
Isak Dinesen and Photo/Graphic Recollection | 460 | |
Remembrance | 471 | |
Notes | 479 | |
Additional Notes on the Contributors | 513 | |
Copyrights and Permissions | 518 |
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Add Illuminations: Women Writing on Photography From the 1850s to the Present, The first anthology of its kind, Illuminations presents a comprehensive selection of women's writings on photography. It proposes a new and different history by demonstrating the ways in which women's perspectives have advanced photographic criticism over, Illuminations: Women Writing on Photography From the 1850s to the Present to the inventory that you are selling on WonderClubX
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Add Illuminations: Women Writing on Photography From the 1850s to the Present, The first anthology of its kind, Illuminations presents a comprehensive selection of women's writings on photography. It proposes a new and different history by demonstrating the ways in which women's perspectives have advanced photographic criticism over, Illuminations: Women Writing on Photography From the 1850s to the Present to your collection on WonderClub |