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Acknowledgments | ix | |
Introduction | 1 | |
1. | Bridge across Generations: The Author in the Works, Intention, and Practice | 10 |
2. | Beyond Fracture, Entrapment, Dislocation, and Marginalization: Images of Regeneration in the Early Novels (The Beautyful Ones Are Not Yet Born and Fragments) | 26 |
3. | A Modern Middle Passage: Armah in America and the Question of Identity in Why Are We So Blest? | 75 |
4. | Three Backward Glances: Roads to Freedom in the Late Novels (Two Thousand Seasons, The Healers, and Osiris Rising) | 95 |
5. | Panoramic Spectacle: The Short Story and Social Stasis | 150 |
Conclusion | 166 | |
Notes | 171 | |
References | 190 | |
Index | 207 |
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Add Ayi Kwei Armah, Radical Iconoclast: Pitting Imaginary Worlds Against the Actual, Although the Ghanaian novelist Ayi Kwei Armah has won global recognition as one of Africa's most articulate writers, Ode Ogede contends that critics have often misinterpreted the aesthetic and literary influences that shape Armah's artistic vision. Beginn, Ayi Kwei Armah, Radical Iconoclast: Pitting Imaginary Worlds Against the Actual to the inventory that you are selling on WonderClubX
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Add Ayi Kwei Armah, Radical Iconoclast: Pitting Imaginary Worlds Against the Actual, Although the Ghanaian novelist Ayi Kwei Armah has won global recognition as one of Africa's most articulate writers, Ode Ogede contends that critics have often misinterpreted the aesthetic and literary influences that shape Armah's artistic vision. Beginn, Ayi Kwei Armah, Radical Iconoclast: Pitting Imaginary Worlds Against the Actual to your collection on WonderClub |