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Preface | ||
Acknowledgments | ||
Ch. 1 | The Visual Challenge: Howard Barker's Scenes from an Execution | 3 |
Ch. 2 | The Imperfect Eye: Tom Stoppard's Artist Descending a Staircase | 29 |
Ch. 3 | The Musical Dimension: Robert Ferguson's Transfigured Night from Three Perspectives: In Itself, In the Orbit of Schoenberg, and In the Shadow of Beckett's Radio Drama... with a Coda on Cage's Roaratorio | 53 |
Ch. 4 | The Mind: Arthur Kopit's Wings and Harold Pinter's A Slight Ache | 99 |
Ch. 5 | The World: David Rudkin's Cries from Casement As His Bones are Brought to Dublin | 128 |
Ch. 6 | The Stage: John Arden's Pearl, and The Bagman, Too | 152 |
Afterword | 191 | |
Notes | 193 | |
Work Cited | 225 | |
Index | 233 |
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Add Sight Unseen: Beckett, Pinter, Stoppard, and Other Contemporary Dramatists on Radio, In Sight Unseen radio drama, a genre traditionally dismissed as popular culture, is celebrated as high art. The radio plays discussed here range from the conventional (John Arden's Pearl) to the docudramatic (David Rudkin's Cries from Casement), from the , Sight Unseen: Beckett, Pinter, Stoppard, and Other Contemporary Dramatists on Radio to the inventory that you are selling on WonderClubX
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Add Sight Unseen: Beckett, Pinter, Stoppard, and Other Contemporary Dramatists on Radio, In Sight Unseen radio drama, a genre traditionally dismissed as popular culture, is celebrated as high art. The radio plays discussed here range from the conventional (John Arden's Pearl) to the docudramatic (David Rudkin's Cries from Casement), from the , Sight Unseen: Beckett, Pinter, Stoppard, and Other Contemporary Dramatists on Radio to your collection on WonderClub |