Wonder Club world wonders pyramid logo
×

Aftermyths: Hysteria, Colloquialism, and Caricature in the Age of Doubt Book

Aftermyths: Hysteria, Colloquialism, and Caricature in the Age of Doubt
Aftermyths: Hysteria, Colloquialism, and Caricature in the Age of Doubt, , Aftermyths: Hysteria, Colloquialism, and Caricature in the Age of Doubt has a rating of 3.5 stars
   2 Ratings
X
Aftermyths: Hysteria, Colloquialism, and Caricature in the Age of Doubt, , Aftermyths: Hysteria, Colloquialism, and Caricature in the Age of Doubt
3.5 out of 5 stars based on 2 reviews
5
0 %
4
50 %
3
50 %
2
0 %
1
0 %
Digital Copy
PDF format
1 available   for $99.99
Original Magazine
Physical Format

Sold Out

  • Aftermyths: Hysteria, Colloquialism, and Caricature in the Age of Doubt
  • Written by author Robert G. Eisenhauer
  • Published by Lang, Peter Publishing, Incorporated, January 2007
Buy Digital  USD$99.99

WonderClub View Cart Button

WonderClub Add to Inventory Button
WonderClub Add to Wishlist Button
WonderClub Add to Collection Button

Book Categories

Authors

Aftermyths investigates fault-lines in literary and visual representation from 1870 to the early twentieth century as they range from a faux essentialism, often with ethnic overtones, to a �cadence of decadence� reflecting the dissensions of modernity. Reading Henry James and Mark Twain with side-glances to the cartoon revolution of Rudolf Dirks and Richard Felton Outcault, Robert Eisenhauer delves into the archive of frontier or histrionic �decadence, � �Americanness, � and �Germanness.� Pastoral idiom and foreign words, �incomprehensible to us as so many dead languages, � reflect Hesperian micrology on the part of the �bergossiper James, a discursive �katzenjammer� effect, while Twain's difficulties with German exemplify a strategy of emancipation informed by minstrel-like showmanship and a river or streetwise skepticism. In addition, Eisenhauer applies key concepts of Walter Benjamin's Arcades Project to New York City after 1920. Mayor Jimmy Walker and urban planner Robert Moses are seen as Dionysian and Apollonian instances contesting the meta-arcades of Manhattan at the intersection of epic, lyric, and drama. Outcault's �Opera in Ryan's Arcade� vernacularizes the difference between uptown and downtown, high art and low �un-art.� With the premise that Freud's definition of caricature in Totem and Taboo remains valid, Aftermyths goes on to investigate the bear as a mimetic paradigm for Nietzsche's �not yet determined animal� homo sapiens. Finally, Eisenhauer suggests affinities between two fictions of immortality, Grass's Flounder and Hamill's Forever, before returning to the downtown scene for remarks on Richard Foreman's Ontological-Hysteric Theatre.


Login

  |  

Complaints

  |  

Blog

  |  

Games

  |  

Digital Media

  |  

Souls

  |  

Obituary

  |  

Contact Us

  |  

FAQ

CAN'T FIND WHAT YOU'RE LOOKING FOR? CLICK HERE!!!

X
WonderClub Home

This item is in your Wish List

Aftermyths: Hysteria, Colloquialism, and Caricature in the Age of Doubt, , Aftermyths: Hysteria, Colloquialism, and Caricature in the Age of Doubt

X
WonderClub Home

This item is in your Collection

Aftermyths: Hysteria, Colloquialism, and Caricature in the Age of Doubt, , Aftermyths: Hysteria, Colloquialism, and Caricature in the Age of Doubt

Aftermyths: Hysteria, Colloquialism, and Caricature in the Age of Doubt

X
WonderClub Home

This Item is in Your Inventory

Aftermyths: Hysteria, Colloquialism, and Caricature in the Age of Doubt, , Aftermyths: Hysteria, Colloquialism, and Caricature in the Age of Doubt

Aftermyths: Hysteria, Colloquialism, and Caricature in the Age of Doubt

WonderClub Home

You must be logged in to review the products

E-mail address:

Password: