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Introduction : differential reading | ||
1 | Crisis in the humanities? : reconfiguring literary study for the twenty-first century | 1 |
2 | Cunning passages and contrived corridors : rereading Eliot's "Gerontion" | 20 |
3 | The search for "prime words" : Pound, Duchamp, and the nominalist ethos | 39 |
4 | "But isn't the same at least the same?" : Wittgenstein on translation | 60 |
5 | "Logocinema of the frontiersman" : Eugene Jolas's multilingual poetics and its legacies | 82 |
6 | "The silence that is not silence" : acoustic art in Samuel Beckett's radio plays | 102 |
7 | Language poetry and the lyric subject : Ron Silliman's Albany, Susan Howe's Buffalo | 129 |
8 | After language poetry : innovation and its theoretical discontents | 155 |
9 | The invention of "concrete prose" : Haroldo de Campos's Galaxias and after | 175 |
10 | Songs of the earth : Ronald Johnson's verbivocovisuals | 194 |
11 | The Oulipo factor : the procedural poetics of Christian Bok and Caroline Bergvall | 205 |
12 | Filling the space with trace : Tom Raworth's "Letters from Yaddo" | 227 |
13 | Teaching the "new" poetries : the case of Rae Armantrout | 243 |
14 | Writing poetry/writing about poetry : some problems of affiliation | 258 |
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