|
|
Sold Out
Book Categories |
| Acknowledgments | ||
| Introduction: Oppositions and Astonishing Contiguities | 1 | |
| Pt. I | Formal Thresholds | |
| "A Poetics of Emerging Evidence": Experiment in Kathleen Fraser's Poetry | 15 | |
| Asterisk: Separation at the Threshold of Meaning in the Poetry of Rae Armantrout | 28 | |
| Alice Notley's Experimental Epic: "An Ecstasy of Finding Another Way of Being" | 41 | |
| Intimacy and Experiment in Mei-Mei Berssenbrugge's Empathy | 54 | |
| Pt. II | In the Margins of From | |
| Towards a New Politics of Representation? Absence and Desire in Denise Chavez's The Last of the Menu Girls | 71 | |
| Beyond the Frame of Whiteness: Harryette Mullen's Revisionary Border Work | 81 | |
| Untranslatable Communities, Productive Translation, and Public Transport: Rosmarie Waldrop's A Key into the Language of America and Joy Harjo's The Woman Who Fell from the Sky | 90 | |
| "Nothing, for a Woman, is Worth Trying": A Key into the Rules of Rosmarie Waldrop's Experimentalism | 103 | |
| Rules and Restraints in Women's Experimental Writing | 116 | |
| Pt. III | The Visual Referent/Visual Page | |
| Im.age ... Dis.solve: The Linguistic Image in the Critical Lyric of Norma Cole and Ann Lauterbach | 127 | |
| Postmodern Romance and the Descriptive Fetish of Vision in Fanny Howe's The Lives of a Spirit and Lyn Hejinian's My Life | 140 | |
| "Drawings with Words": Susan Howe's Visual Poetics | 152 | |
| "Bodies Written Off": Economies of Race and Gender in the Visual/Verbal Collaborative Clash of Erica Hunt's and Alison Saar's Arcade | 165 | |
| Pt. IV | Performative Bodies | |
| "In Another Tongue": Body, Image, Text in Theresa Hak Kyung Cha's Dictee | 181 | |
| Painful Bodies: Kathy Acker's Last Texts | 193 | |
| "Eyes in All Heads": Anne Waldman's Performance of Bigendered Imagination in Iovis 1 | 203 | |
| "Sonic Revolutionaries": Voice and Experiment in the Spoken Word Poetry of Tracie Morris | 213 | |
| Capillary Currents: Jayne Cortez | 227 | |
| Afterword: "Draft 48: Being Astonished" | 237 | |
| Notes | 255 | |
| Contributors | 283 | |
| Index | 287 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
John Dobson
reviewed We Who Love to Be Astonished: Experimental Women's Writing and Performance Poetics on November 28, 2008 We Who Love to Be Astonished: Experimental Women's Writing and Performance Poetics
Interesting chapter on Whitman. Nothing groundbreaking here.
Login|Complaints|Blog|Games|Digital Media|Souls|Obituary|Contact Us|FAQ
CAN'T FIND WHAT YOU'RE LOOKING FOR? CLICK HERE!!! X
You must be logged in to add to WishlistX
This item is in your Wish List
X
This item is in your Collection
We Who Love to Be Astonished: Experimental Women's Writing and Performance Poetics
X
This Item is in Your Inventory
We Who Love to Be Astonished: Experimental Women's Writing and Performance Poetics
X
You must be logged in to review the productsX
X
X
Add We Who Love to Be Astonished: Experimental Women's Writing and Performance Poetics, We Who Love to Be Astonished collects a powerful group of previously unpublished essays to fill a gap in the critical evaluation of women's contributions to postmodern experimental writing. Contributors include Alan Golding, Aldon Nielsen, and Rach, We Who Love to Be Astonished: Experimental Women's Writing and Performance Poetics to the inventory that you are selling on WonderClubX
X
Add We Who Love to Be Astonished: Experimental Women's Writing and Performance Poetics, We Who Love to Be Astonished collects a powerful group of previously unpublished essays to fill a gap in the critical evaluation of women's contributions to postmodern experimental writing. Contributors include Alan Golding, Aldon Nielsen, and Rach, We Who Love to Be Astonished: Experimental Women's Writing and Performance Poetics to your collection on WonderClub |