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Introduction : opening tracks | ||
Pt. I | Managing the recording process and rethinking the recording bans | |
1 | Buried under the fecundity of his own creations : the first strike of the American federation of musicians | 3 |
2 | Counterreform and resignation : the second strike of the American federation of musicians | 27 |
Pt. II | Production, reproduction, and the case of my fair lady | |
3 | Which voice best becomes the property? Stitching the intertext of My Fair Lady | 51 |
4 | Listening to my My Fair Lady : versioning and the recorded music object | 77 |
Pt. III | Stereo, hi-fi, and the modern pleasures of easy listening | |
5 | A tale of two ears : the concert hall aesthetic and stereo | 105 |
6 | Space, the pliable frontier : stereo as the new spatial palette of audio | 151 |
Conclusion : the flip side (and a few concluding thoughts) | 179 |
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Add Making Easy Listening: Material Culture and Postwar American Recording, The period between the Second World War and the mid-1960s saw the American music industry engaged in a fundamental transformation in how music was produced and experienced. Tim Anderson analyzes three sites of this music revolution: the change from a busi, Making Easy Listening: Material Culture and Postwar American Recording to the inventory that you are selling on WonderClubX
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Add Making Easy Listening: Material Culture and Postwar American Recording, The period between the Second World War and the mid-1960s saw the American music industry engaged in a fundamental transformation in how music was produced and experienced. Tim Anderson analyzes three sites of this music revolution: the change from a busi, Making Easy Listening: Material Culture and Postwar American Recording to your collection on WonderClub |