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Acknowledgments | ||
Introduction: Traces of the Spirit: The Hidden Religious Dimensions of Popular Music | 1 | |
I | Theoretical, Structural, and Historical Background | 15 |
1 | The Connection between Music and Religion | 19 |
2 | West African Possession Religion and American Popular Music | 45 |
II | Popular Music Subcultures as Religion: A Comparative Analysis Based on Ethnographic Research | 77 |
3 | Eyes of the World: The Grateful Dead and the Deadheads | 83 |
4 | The Dance Music Continuum: House, Rave, and Electronic Dance Music | 117 |
5 | Stairway to Heaven, Highway to Hell: Heavy Metal and Metalheads | 152 |
6 | The Message: Rap Music and Hip-Hop Culture | 182 |
Conclusion: There's More to the Picture than Meets the Eye | 214 | |
Appendix | 223 | |
Notes | 231 | |
Bibliography | 271 | |
Index | 281 | |
About the Author | 291 |
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