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The End of Cinema As We Know It and I Feel ...: An Introduction to a Book on Nineties American Film | 1 | |
I | Movies, Money, and History | |
1 | The Blockbuster: Everything Connects, but Not Everything Goes | 11 |
2 | Those Who Disagree Can Kiss Jack Valenti's Ass | 23 |
3 | The Hollywood History Business | 33 |
4 | The Man Who Wanted to Go Back | 43 |
II | Things American (Sort Of) | |
5 | "American" Cinema in the 1990s and Beyond: Whose Country's Filmmaking Is It Anyway? | 53 |
6 | Marketing Marginalized Cultures: The Wedding Banquet, Cultural Identities, and Independent Cinema of the 1990s | 61 |
7 | Hollywood Redux: All about My Mother and Gladiator | 72 |
III | Four Key Films | |
8 | The Zen of Masculinity - Rituals of Heroism in The Matrix | 83 |
9 | Ikea Boy Fights Back: Fight Club, Consumerism, and the Political Limits of Nineties Cinema | 95 |
10 | The Blair Witch Project, Macbeth, and the Indeterminate End | 105 |
11 | Empire of the Gun: Steven Spielberg's Saving Private Ryan and American Chauvinism | 115 |
12 | Saving Private Ryan Too Late | 131 |
IV | Pictures and Politics | |
13 | The Confusions of Warren Beatty | 141 |
14 | Movie Star Presidents | 150 |
15 | The Fantasy Image: Fixed and Moving | 158 |
16 | Men with Guns: The Story John Sayles Can't Tell | 168 |
17 | The End of Chicano Cinema | 175 |
V | The End of Masculinity As We Know It | |
18 | Being Keanu | 185 |
19 | Woody Allen, "the Artist," and "the Little Girl" | 195 |
20 | Affliction: When Paranoid Male Narratives Fail | 203 |
21 | The Phallus UnFetished: The End of Masculinity As We Know It in Late-1990s "Feminist" Cinema | 210 |
VI | Bodies at Rest and in Motion | |
22 | Bods and Monsters: The Return of the Bride of Frankenstein | 225 |
23 | Having Their Cake and Eating It Too: Fat Acceptance Films and the Production of Meaning | 237 |
VII | Independents | |
24 | A Rant | 253 |
25 | The Case of Harmony Korine | 261 |
26 | Where Hollywood Fears to Tread: Autobiography and the Limits of Commercial Cinema | 269 |
27 | Smoke 'til You're Blue in the Face | 277 |
VIII | Not Films Exactly | |
28 | Pamela Anderson on the Slippery Slope | 287 |
29 | King Rodney: The Rodney King Video and Textual Analysis | 300 |
30 | Live Video | 305 |
IX | Endgames | |
31 | End of Story: The Collapse of Myth in Postmodern Narrative Film | 319 |
32 | Waiting for the End of the World: Christian Apocalyptic Media at the Turn of the Millennium | 332 |
33 | The Four Last Things: History, Technology, Hollywood, Apocalypse | 342 |
34 | Twenty-five Reasons Why It's All Over | 356 |
Contributors | 367 | |
Index | 373 |
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Add The End Of Cinema As We Know It: American Film in the Nineties, The thirty-four brief essays in The End of Cinema As We Know It address a variety of topics, from film censorship and preservation to the changing structure and status of independent cinema -- from the continued importance of celebrity and stardom to the , The End Of Cinema As We Know It: American Film in the Nineties to the inventory that you are selling on WonderClubX
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Add The End Of Cinema As We Know It: American Film in the Nineties, The thirty-four brief essays in The End of Cinema As We Know It address a variety of topics, from film censorship and preservation to the changing structure and status of independent cinema -- from the continued importance of celebrity and stardom to the , The End Of Cinema As We Know It: American Film in the Nineties to your collection on WonderClub |