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Book Categories |
Preface | ||
Introduction | 1 | |
1 | The Psychology of Rhetorical Images | 25 |
2 | The Rhetoric of Visual Arguments | 41 |
3 | Framing the Fine Arts Through Rhetoric | 63 |
4 | Visual Rhetoric in Pens of Steel and Inks of Silk: Challenging the Great Visual/Verbal Divide | 87 |
5 | Defining Film Rhetoric: The Case of Hitchcook's Vertigo | 111 |
6 | Political Candidates' Convention Films: Finding the Perfect Image - An Overview of Political Image Making | 135 |
7 | Gendered Environments: Gender and the Natural World in the Rhetoric of Advertising | 155 |
8 | Echoes of Camelot: How Images Construct Cultural Memory Through Rhetorical Framing | 179 |
9 | Doing Rhetorical History of the Visual: The Photograph and the Archive | 195 |
10 | Melting-Pot Ideology, Modernist Aesthetics, and the Emergence of Graphical Conventions: The Statistical Atlases of the United States, 1874-1925 | 215 |
11 | The Rhetoric of Irritation: Inappropriateness as Visual/Literate Practice | 243 |
12 | Placing Visual Rhetoric: Finding Material Comfort in Wild Oats Market | 259 |
13 | Envisioning Domesticity, Locating Identity: Constructing the Victorian Middle Class Through Images of Home | 277 |
14 | Framing the Study of Visual Rhetoric: Toward a Transformation of Rhetorical Theory | 303 |
About the Contributors | 315 | |
Author Index | 319 | |
Subject Index | 325 |
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