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"In her learned and wide-ranging The Romantic Performative: Language and Action in British and German Romanticism, Angela Esterhammer demonstrates, among other things, that there was something like a proto-Austinian reflection on the often performative character of language. . . . This is a book that anyone studying performative language in the Romantic period will have to reckon with, and from which they will learn a good deal in the process."—The Wordsworth Circle
"Into an atmosphere charged with the recovery and reengagement of literary texts, Angela Esterhammer's effort to recover the notion of history as "intrinsic rather than extrinsic to Romantic texts" comes as a welcomed contribution."—Literary Research / Recherche Litteraire
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Douglas Shaw
reviewed The Romantic Performative: Language and Action in British and German Romanticism on November 12, 2019
The Romantic Performative: Language and Action in British and German Romanticism
As os the case with all book of essays by varying authors, some are better than others. The nice things was that none of the views of Elizabeth were downright offensive. I learned about a play I hadn't known about and how views of Elizabeth varied even during her lifetime.
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Add The Romantic Performative: Language and Action in British and German Romanticism, In her learned and wide-ranging The Romantic Performative: Language and Action in British and German Romanticism, Angela Esterhammer demonstrates, among other things, that there was something like a proto-Austinian reflection on the often performative ch, The Romantic Performative: Language and Action in British and German Romanticism to the inventory that you are selling on WonderClubX
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Add The Romantic Performative: Language and Action in British and German Romanticism, In her learned and wide-ranging The Romantic Performative: Language and Action in British and German Romanticism, Angela Esterhammer demonstrates, among other things, that there was something like a proto-Austinian reflection on the often performative ch, The Romantic Performative: Language and Action in British and German Romanticism to your collection on WonderClub |