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Acknowledgments | ||
Ch. 1 | Introduction: Parody, Aggressivity, and Stereotyping | 1 |
Ch. 2 | The Art of Gesture: Parody and Joyce's Aesthetic Practice | 19 |
Ch. 3 | "The word is my Wife": Control of the Feminine | 51 |
Ch. 4 | In the Original Sinse: The Gay Cliche' and Verbal Transgression in Finnegans Wake | 87 |
Ch. 5 | In the Wake of the Nation: Joyce's Response to Irish Nationalism | 115 |
Ch. 6 | Rhythmic Identification and Cosmopolitan Consciousness in Finnegans Wake | 141 |
Epilogue | 169 | |
Notes | 173 | |
Works Cited | 205 | |
Index | 217 |
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Add Gestural politics, Gestural Politics explores James Joyce's use of parody and humor in his representation of women, gays, and Irish nationalism. Author Christy L. Burns also discusses how Joyce's complex attitude toward parody and stereotyping is related to his aesthetic vi, Gestural politics to the inventory that you are selling on WonderClubX
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Add Gestural politics, Gestural Politics explores James Joyce's use of parody and humor in his representation of women, gays, and Irish nationalism. Author Christy L. Burns also discusses how Joyce's complex attitude toward parody and stereotyping is related to his aesthetic vi, Gestural politics to your collection on WonderClub |