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List of Figures List of Tables List of Music Examples Introduction 1
1 A Humanist John Merbecke 21
2 Erasmian Humanism and the Reform of Sacred Music 65
3 Anglican Plainchant in the Making 97
4 Rhetoric and the Reform of Plainchant in The Booke of Common Praier Noted (1550) 139 Conclusion 199 Appendix 203 Bibliography 207 Index 239
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| $99.99 | Digital |
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Mal Hip
reviewed Humanism and the Reform of Sacred Music in Early Modern England: John Merbecke the Orator and the Booke of Common Praier Noted (1550) on May 22, 2011
Humanism and the Reform of Sacred Music in Early Modern England: John Merbecke the Orator and the Booke of Common Praier Noted (1550)
Excellent overview and a handy reference book.
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Add Humanism and the Reform of Sacred Music in Early Modern England: John Merbecke the Orator and the Booke of Common Praier Noted (1550), John Merbecke (c.1505-c.1585) is most famous as me composer of the first musical setting of the English liturgy, The Booke of Common Praier Noted (BCPN), published in 1550. By situating Merbecke and his work within a broader intellectual and religio-cult, Humanism and the Reform of Sacred Music in Early Modern England: John Merbecke the Orator and the Booke of Common Praier Noted (1550) to the inventory that you are selling on WonderClubX
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Add Humanism and the Reform of Sacred Music in Early Modern England: John Merbecke the Orator and the Booke of Common Praier Noted (1550), John Merbecke (c.1505-c.1585) is most famous as me composer of the first musical setting of the English liturgy, The Booke of Common Praier Noted (BCPN), published in 1550. By situating Merbecke and his work within a broader intellectual and religio-cult, Humanism and the Reform of Sacred Music in Early Modern England: John Merbecke the Orator and the Booke of Common Praier Noted (1550) to your collection on WonderClub |