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| Preface | ||
| Notes on Abbreviations | ||
| W.E. Yates: A Bibliography | ||
| An Austrian Comic Tradition? | 3 | |
| Heroes in their Underclothes: Aloys Blumauer's Travesty of Virgil's Aeneid | 24 | |
| The Comedies of Johanna von Weissenthurn | 41 | |
| Nestroy and Schiller | 58 | |
| Music in Nestroy's Plays | 71 | |
| Nestroy's 'Epic' Theatre | 86 | |
| Nestroy and Slavery | 102 | |
| 'Crying out loud in silence': Social Inequality in Nestroy's Die Gleichheit der Jahre | 118 | |
| Nestroy's Zwey ewige Juden und Keiner: a Tale of Three Cities | 130 | |
| Friedrich Halm and the Comic Muse | 145 | |
| Bloodshed in the Balkans: Robert Scheu, Karl Kraus and a Question of Satire | 160 | |
| The Aristocratic Philanderer: Reflections on Hofmannsthal's Der Schwierige | 176 | |
| 'Stop all the Clocks': Time and Times in the 'Vienna Operas' of Hofmannsthal and Strauss | 185 | |
| The Significance of the Irrational in Horvath's Geschichten aus dem Wiener Wald | 202 | |
| Viennese Theatre History (on W.E. Yates, Theatre in Vienna: A Critical History, 1776-1995) | 221 | |
| Mauriz Schuster and Hans Schikola, Das alte Wienerisch. Ein kulturgeschichtliches Worterbuch | 230 | |
| Konrad Kuster, Mozart. A Musical Biography; Vjera Katalinic (ed.), Off-Mozart. Musical Culture and the 'Kleinmeister' of Central Europe 1750-1820 | 231 | |
| Hartmut Lauthutte and Karl Moseneder (eds), Adalbert Stifter: Dichter und Maler, Denkmalpfleger und Schulmann | 232 | |
| Gabriele von Glasenapp, Aus der Judengasse: Zur Entstehung und Auspragung deutschsprachiger Ghettoliteratur im 19. Jahrhundert | 234 | |
| Mark H. Gelber, Hans Otto Horch and Sigurd Paul Scheichl (eds), Von Franzos zu Canetti: Judische Autoren aus Osterreich | 235 | |
| Lorna Martens, Shadow Lines. Austrian Literature from Freud to Kafka; Katherine Arens, Austria and Other Margins: Reading Culture | 236 | |
| Anton Mayer, Theater in Wien um 1900. Der Dichterkreis Jung Wien | 239 | |
| Karin J. Jusek, Auf der Suche nach der Verlorenen. Die Prostitutions-debatten im Wien der Jahrhundertwende | 240 | |
| Beatrix Hoffmann-Holter, 'Abreisendmachung': Judische Fluchtlinge in Wien 1914 bis 1923 | 241 | |
| Anne C. Shreffler, Webern and the Lyric Impulse: Songs and Fragments on Poems of Georg Trakl | 243 | |
| Roger Paulin and Peter Hutchinson, Rilke's 'Duino Elegies': Cambridge Readings | 244 | |
| Elizabeth Boa, Kafka: Gender, Class, and Race in the Letters and Fictions | 245 | |
| Alexander Stillmark (ed.), Joseph Roth: Der Sieg uber die Zeit. Londoner Symposium | 248 | |
| 'It's Up to Us!' Collected Works of Jura Soyfer, selected and translated by Horst Jarka | 249 | |
| Christopher J. Thornhill, Walter Benjamin and Karl Kraus: Problems of a 'Wahlverwandtschaft' | 252 | |
| Hilde Haider-Pregler and Beate Reiterer (eds), Verspielte Zeit: Osterreichisches Theater der 30er Jahre | 255 | |
| Susanne Rode-Breymann, Die Wiener Staatsoper in den Zwischen-kriegsjahren: Ihr Beitrag zum zeitgenossischen Musiktheater | 258 | |
| Jutta Raab Hansen, NS-verfolgte Musiker in England. Spuren deutscher und osterreichischer Fluchtlinge in der britischen Musikkultur | 259 | |
| Waltraud Strickhausen, Die Erzahlerin Hilde Spiel oder 'Der weite Wurf in die Finsternis' | 263 | |
| Steven W. Lawrie, Erich Fried: A Writer without a Country | 265 | |
| Wolfgang Fleischer, Das verleugnete Leben. Die Biographie des Heimito von Doderer | 267 | |
| Siegfried Beer (ed.), Die 'britische' Steiermark 1945-1955 | 268 | |
| Gudrun Kuhn, Ein philosophisch-musikalisch geschulter Sanger: Musikasthetische Uberlegungen zur Prosa Thomas Bernhards | 270 | |
| Herbert Zeman (ed.), Literaturgeschichte Osterreichs: Von den Anfangen im Mittelalter bis zur Gegenwart | 271 | |
| Notes on Contributors | 274 | |
| Austrian Studies | 279 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Christopher Moore
reviewed The Austrian Comic Tradition: A Festschrift for W. E. Yates on March 01, 2021 The Austrian Comic Tradition: A Festschrift for W. E. Yates
I read this book because I am a professional historical portrayal artist and portray Rachel Carson, author of "Silent Spring." "What A Book Can Do" is about the impact "Silent Spring" had upon the world. This is one of the best-written and researched books I have read. It helped me considerably in preparing my material for the performances I give as Rachel Carson. In 1962, the year "Silent Spring " was published, it was still possible for a book to stand out and change the world. "What A Book Can Do," filled me with the necessary inspiration to 'become Ms. Carson,' embroiled in the controversy "Silent Spring" created. It helped me fully understand the incredible impact that beautifully and wisely written words can have -- or could have during the historic Sixties Era. Priscilla Coit Murphy's book details this magnificently and, like Rachel Carson's writing, is so readable that it is a page-turner.
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Add The Austrian Comic Tradition: A Festschrift for W. E. Yates, Fourteen essays from internationally renowned scholars examine over 150 years of the Austrian comic tradition. Written with the general reader and the specialist in mind, the topics range from Blumauer in the late eighteenth century to Horváth in the twen, The Austrian Comic Tradition: A Festschrift for W. E. Yates to the inventory that you are selling on WonderClubX
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Add The Austrian Comic Tradition: A Festschrift for W. E. Yates, Fourteen essays from internationally renowned scholars examine over 150 years of the Austrian comic tradition. Written with the general reader and the specialist in mind, the topics range from Blumauer in the late eighteenth century to Horváth in the twen, The Austrian Comic Tradition: A Festschrift for W. E. Yates to your collection on WonderClub |
