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Auto/Biography and Identity: Women, Theatre and Performance (Women, Theatre and Performance Series) Book

Auto/Biography and Identity: Women, Theatre and Performance (Women, Theatre and Performance Series)
Auto/Biography and Identity: Women, Theatre and Performance (Women, Theatre and Performance Series), 
This groundbreaking book shows how female performers have used autobiography and performance as both a means of expression and control of their private and public selves, the face and the mask. It looks at how actors, managers, writers and live art, Auto/Biography and Identity: Women, Theatre and Performance (Women, Theatre and Performance Series) has a rating of 3 stars
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Auto/Biography and Identity: Women, Theatre and Performance (Women, Theatre and Performance Series), This groundbreaking book shows how female performers have used autobiography and performance as both a means of expression and control of their private and public selves, the face and the mask. It looks at how actors, managers, writers and live art, Auto/Biography and Identity: Women, Theatre and Performance (Women, Theatre and Performance Series)
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  • Auto/Biography and Identity: Women, Theatre and Performance (Women, Theatre and Performance Series)
  • Written by author Maggie B. Gale
  • Published by Manchester University Press, March 2005
  • This groundbreaking book shows how female performers have used autobiography and performance as both a means of expression and control of their private and public selves, the "face and the mask". It looks at how actors, managers, writers and live art
  • Arguing that women use autobiography and performance for expression and as a means of controlling their public and private selves, the contributors of these 11 essays examine the lives and work of a variety of artists ranging from actors as working women
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Authors

Introduction : women, theatre and performance : auto/biography and performance1
1The three nobodies : autobiographical strategies in the work of Alma Ellerslie, Kitty Marion and Ina Rozant10
2The disappearing subject in Susan Glaspell's auto/biographical theatre39
3Imag(in)ing a life : Adrienne Kennedy's People who led to my plays and Deadly triplets58
4The way to the world : Emma Robinson and the dilemmas of identity78
5Lena Ashwell and auto/biographical negotiations of the professional self99


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Auto/Biography and Identity: Women, Theatre and Performance (Women, Theatre and Performance Series), 
This groundbreaking book shows how female performers have used autobiography and performance as both a means of expression and control of their private and public selves, the face and the mask. It looks at how actors, managers, writers and live art, Auto/Biography and Identity: Women, Theatre and Performance (Women, Theatre and Performance Series)

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Auto/Biography and Identity: Women, Theatre and Performance (Women, Theatre and Performance Series), 
This groundbreaking book shows how female performers have used autobiography and performance as both a means of expression and control of their private and public selves, the face and the mask. It looks at how actors, managers, writers and live art, Auto/Biography and Identity: Women, Theatre and Performance (Women, Theatre and Performance Series)

Auto/Biography and Identity: Women, Theatre and Performance (Women, Theatre and Performance Series)

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Auto/Biography and Identity: Women, Theatre and Performance (Women, Theatre and Performance Series), 
This groundbreaking book shows how female performers have used autobiography and performance as both a means of expression and control of their private and public selves, the face and the mask. It looks at how actors, managers, writers and live art, Auto/Biography and Identity: Women, Theatre and Performance (Women, Theatre and Performance Series)

Auto/Biography and Identity: Women, Theatre and Performance (Women, Theatre and Performance Series)

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