Sold Out
Book Categories |
List of illustrations | ||
Series editors' preface | ||
Acknowledgements | ||
Introduction | 1 | |
Pt. 1 | Othello before Robeson | |
I | Othello's play | 24 |
II | Desdemona's play | 48 |
III | Iago's play | 68 |
IV | Interval: alternative Othellos in the modern age | 86 |
Pt. 2 | Robeson and after | |
V | Othello becomes contemporary: Ira Aldridge and Paul Robeson | 106 |
VI | The Robeson legacy I: white Othellos on film, stage and television | 135 |
VII | The Robeson legacy II: casting Othello, 1960-97 | 157 |
VIII | Othello at the end of the century: sex and soldiers | 185 |
Appendix | 219 | |
Bibliography | 223 | |
Index | 235 |
Login|Complaints|Blog|Games|Digital Media|Souls|Obituary|Contact Us|FAQ
CAN'T FIND WHAT YOU'RE LOOKING FOR? CLICK HERE!!! X
You must be logged in to add to WishlistX
This item is in your Wish ListX
This item is in your CollectionOthello
X
This Item is in Your InventoryOthello
X
You must be logged in to review the productsX
X
X
Add Othello, Lois Potter traces the acting tradition of Othello as it affected the playing of Othello, Desdemona, characters originally played by a white actor and a boy, respectively, and Iago. Potter examines the stage and screen versions of the play, including a fu, Othello to the inventory that you are selling on WonderClubX
X
Add Othello, Lois Potter traces the acting tradition of Othello as it affected the playing of Othello, Desdemona, characters originally played by a white actor and a boy, respectively, and Iago. Potter examines the stage and screen versions of the play, including a fu, Othello to your collection on WonderClub |