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Introduction : Dogville, Hollywood and the rule of the mediocracy | 9 | |
I | Hollywood genesis : a brief history of the movies | 26 |
II | The two faces of Hollywood : the first independent wave, 1960-68 | 57 |
III | Hollywood at war : Avant-Garde vs. old guard, early 70s | 92 |
IV | Hollywood prodigals : four auteurs and an apocalypse | 130 |
V | The dark, satanic mill : independent cinema in the 80s | 166 |
VI | Bitch goddess and muse : trash, art and the Hollywood trap | 214 |
VII | God and cosmetics : Hollywood 'morality' and the vow of chastity | 256 |
VIII | Hollywood be thy name : the story so far and one possible ending | 289 |
App | The new avant-garde : honoree mention for films and filmmakers that didn't make it into the book | 342 |
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Add Dogville vs. Hollywood: The Independents and the Hollywood Machine, Using Lars von Trier's 2003 film Dogville as a launchpad for his ideas, Jake Horsley aims to discuss the conflict between artistic and commercial movie-making that he believes exists in the film industry today. He proposes that the term indepe, Dogville vs. Hollywood: The Independents and the Hollywood Machine to the inventory that you are selling on WonderClubX
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Add Dogville vs. Hollywood: The Independents and the Hollywood Machine, Using Lars von Trier's 2003 film Dogville as a launchpad for his ideas, Jake Horsley aims to discuss the conflict between artistic and commercial movie-making that he believes exists in the film industry today. He proposes that the term indepe, Dogville vs. Hollywood: The Independents and the Hollywood Machine to your collection on WonderClub |