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Introduction | ||
1 | The Evolution of Sensibility and Representation | |
1.1 | Autumn in the Romantic Lyric: An Exemplary Case of Paradigm Shift | 3 |
1.2 | Reflection as Mimetic Trope | 23 |
1.3 | On Romantic Cognition | 39 |
1.4 | Vorosmarty and the Poetic Fragment in Hungarian Romanticism | 55 |
1.5 | Loss and Expectation: Temporal Entwinement as Figure and Theme in Novalis, Wordsworth, Nerval, and Leopardi | 63 |
1.6 | Poetry as Self-Consumption: Women Writers and Their Audiences in British and German Romanticism | 91 |
2 | The Evolution of Genre | |
2.1 | Lyric Poetry in the Early Romantic Theory of the Schlegel Brothers | 115 |
2.2 | The Romantic Ode: History, Language, Performance | 143 |
2.3 | The European Romantic Epic and the History of a Genre | 163 |
2.4 | The Sublime Sonnet in European Romanticism | 181 |
2.5 | Elegiac Muses: Romantic Women Poets and the Elegy | 197 |
3 | Romantic Poetry and National Projects | |
3.1 | Awakening Peripheries: The Romantic Redefinition of Myth and Folklore | 225 |
3.2 | "National Poets" in the Romantic Age: Emergence and Importance | 249 |
3.3 | Romanian Poetry and the Great Romantic Narrative about the Mission of the Poet | 257 |
3.4 | Greek Romanticism: A Cosmopolitan Discourse | 269 |
3.5 | Time and History in Spanish Romantic Poetry | 287 |
3.6 | The Experience of the City in British Romantic Poetry | 305 |
3.7 | "Sons of Song": Irish Literature in the Age of Nationalism | 333 |
3.8 | Near the Rapids: Thomas Moore in Canada | 355 |
3.9 | Address and Its Dialectics in American Romantic Poetry | 373 |
3.10 | Romantic Poetry in Latin America | 401 |
4 | Interpretations, Re-creations, and Performances of Romantic Poetry | |
4.1 | Baudelaire's Re-reading of Romanticism: Theorizing Commodities / The Commodification of Theory | 419 |
4.2 | Nachtigallenwashnsinn and Rabbinismus: Heine's Literary Provocation to German-Jewish Cultural Identity | 443 |
4.3 | Reception as Performance: The Case of Shelley in Germany | 461 |
4.4 | Implications of an Influence: On Holderlin's Reception of Rousseau | 473 |
4.5 | Organicist Poetics as Romantic Heritage? | 491 |
4.6 | The Uses of Romantic Poetry: Feminine Subjects in Modern Spanish Culture | 509 |
Index of Names | 525 | |
Index of Titles | 531 |
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Romantic Poetry, The six great Romantic poets represented in this concise collection – Blake, Wordsworth, Coleridge, Byron, Shelley and Keats – are those considered essential reading for anyone with an interest in the verse of the period.
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Romantic Poetry, The six great Romantic poets represented in this concise collection – Blake, Wordsworth, Coleridge, Byron, Shelley and Keats – are those considered essential reading for anyone with an interest in the verse of the period.
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