This Is Next Year Book

It's 1955 and the long-suffering Brooklyn Dodgers are marching into another World Series with their nemesis, the mighty Yankees. Believing that the fate of his parents' marriage hinges on victory, 11 year-old Roger Stone tries to end the Bums' curse by himself, enlisting the aid of Jackie Robinson. This Is Next Year, an exuberant tale of love and redemption, reaches a tense climax at the seventh game of the Series.

"Goldberg writes lovingly and evocatively of egg creams, stoopball [and] nascent rock 'n roll," said Publishers Weekly, and "captures the joys and terrors of childhood in the period with wit, charm and intelligence."

"There are only a handful of excellent baseball novels, and This Is Next Year is right up there." (W.P. Kinsella, "Shoeless Joe")

Author Biography: Philip Goldberg is the author or coauthor of 15 nonfiction books, including The Intuitive Edge and The Best That I Can Be. Like the Dodgers, he was born in Brooklyn and lives in Los Angeles, where he writes books and screenplays. He is working on a sequel to This Is Next Year, his first novel.

Publishers Weekly

A first novel by nonfiction author Goldberg ( The Intuitive Edge ), this is projected as the first volume of a trilogy. Narrator/hero Roger Stone is an 11-year-old who aspires to play shortstop for the Dodgers. He is at the center of the antics of his loving parents--his father a frustrated ballplayer and his mother waging a spirited anti-McCarthy fight in the local school--and two brothers in the baseball-mad Brooklyn of 1955, when the Dodgers obsessed the entire borough. Goldberg writes lovingly and evocatively of egg creams, stoopball, nascent rock 'n' roll and, most of all, the magical summer and fall in which the Brooklyn Dodgers finally won their one and only World Series. The book suffers from a surfeit of metaphor and a few historical inaccuracies (``C-Jam Blues'' is an Ellington tune not, as Goldberg has it, a Basie; Russ Hodges's famous broadcast of the Bobby Thomson homer in the 1951 playoffs was on radio, not television). On the whole, however, this work captures the joys and terrors of childhood in the period with wit, charm and intelligence. (Mar.)