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| Acknowledgements | ||
| Introduction | 1 | |
| Ch. 1 | Translating the Text, Performing the Self | 15 |
| Ch. 2 | Beauty, Chastity and Wit: Feminising the Centre-stage | 42 |
| Ch. 3 | 'Upon the World's Stage': The Civil War and Interregnum | 68 |
| Ch. 4 | 'No Silent Woman': The Plays of Margaret Cavendish, Duchess of Newcastle | 95 |
| Ch. 5 | Licensed to Thrill: Early Restoration Drama | 123 |
| Ch. 6 | Undress, Cross-dress, Redress: Aphra Behn and the Manipulation of Genre | 151 |
| Ch. 7 | A Woman's Place is in the Play/House | 177 |
| Bibliography | 206 | |
| Index | 223 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Isabella Garcia
reviewed Women and dramatic production, 1550-1700 on November 13, 2009
Women and dramatic production
Very informative and useful book
I found the book to be very useful, especially in relation to new developments in Person Centred Theory such as configurations of self and reflections on the Actualizing Tendency.
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Add Women and dramatic production, 1550-1700, This is an introduction to the work of early women dramatists in the early modern period. A wide scope of writers are discussed within the book, incorporating writers from the late seventeenth century and the early eighteenth century It is a handbook cov, Women and dramatic production, 1550-1700 to the inventory that you are selling on WonderClubX
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Add Women and dramatic production, 1550-1700, This is an introduction to the work of early women dramatists in the early modern period. A wide scope of writers are discussed within the book, incorporating writers from the late seventeenth century and the early eighteenth century It is a handbook cov, Women and dramatic production, 1550-1700 to your collection on WonderClub |
