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Part I. Subjectivity revealed through textual fields of reference:
1. Does Tristram Shandy have a beginning?;
2. Subjectivity discovered through Locke's philosophy;
3. Locke's philosophy as a pattern of communication;
4. Manic subjectivity;
5. Melancholic subjectivity;
6. Decentred subjectivity;
7. Wit and judgment;
8. The discovery of communication by verbalising subjectivity;
9. The body semiotics of subjectivity as discovery of man's natural morality;
10. Eighteenth-century anthropology;
Part II. Writing strategies:
11. The first-person narrator;
12. Interruption;
13. Digression; 14.Equivocation;
Part III. The Play of the Text:
15. The imaginary scene;
16. The games played;
17. The humour.
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Add Sterne: "Tristram Shandy", Without a beginning and without an end, Tristram Shandy moves in many different directions, defying the conventional expectations of its readers. Wolfgang Iser shows how Sterne exploits the philosophy of his day and its cognitive deficiencies, using digre, Sterne: "Tristram Shandy" to the inventory that you are selling on WonderClubX
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Add Sterne: "Tristram Shandy", Without a beginning and without an end, Tristram Shandy moves in many different directions, defying the conventional expectations of its readers. Wolfgang Iser shows how Sterne exploits the philosophy of his day and its cognitive deficiencies, using digre, Sterne: "Tristram Shandy" to your collection on WonderClub |