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1. Introduction: Celestina and novelistic discourse; 2. The prefatory material: the author's ambivalent intentions; 3. Genre and the parody of courtly love; 4. From parody to satire: clerical and estates satire; 5. Verbal humour and the legacy of stagecraft; 6. The rhetorical shift from comedy to tragedy: ironic foreshadowing and premonitions of death; 7. Is Melibea a tragic figure?; 8. Pleberio's lament, Cárcel de Amor, and the Corbacho; 9. Conclusion: Rojas' ambivalence towards literature; Notes; Bibliography; Index.
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Julio Sili
reviewed Tragicomedy and Novelistic Discourse in Celestina on August 19, 2011
Tragicomedy and Novelistic Discourse in Celestina
A collection of critical essays on Don Quixote. My favorite was Leo Spitzer's piece on linguistic perspectivism and identity.
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Add Tragicomedy and Novelistic Discourse in Celestina, The late fifteenth-century Spanish masterpiece Celestina is one of the world's classics. In this important study, Dorothy Sherman Severin investigates how Fernando de Rojas' work in dialogue, which parodies earlier genres, is a precursor of the modern nov, Tragicomedy and Novelistic Discourse in Celestina to the inventory that you are selling on WonderClubX
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Add Tragicomedy and Novelistic Discourse in Celestina, The late fifteenth-century Spanish masterpiece Celestina is one of the world's classics. In this important study, Dorothy Sherman Severin investigates how Fernando de Rojas' work in dialogue, which parodies earlier genres, is a precursor of the modern nov, Tragicomedy and Novelistic Discourse in Celestina to your collection on WonderClub |
