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Acknowledgements | ||
Abbreviations | ||
Introduction | 1 | |
1 | "Immaterial pleasure houses": the initial aesthetic dilemma | 21 |
2 | "A more dream-heavy hour": medievalist and progressive beginnings | 39 |
3 | "Pedantry and hysteria": contemporary political problems | 55 |
4 | "A certain discipline": radical conservative solutions | 74 |
5 | "A particularly lively wheel": cyclic views emerge | 91 |
6 | "Our own image": the example of Asian and non-Western cultures | 114 |
7 | In "the grip of the ... vortex": the proof of Post-Impressionist art | 138 |
8 | The "cycle dance": cyclic history arrives | 160 |
9 | "The Nightmare" and beyond: the First World War and mature cyclic theories | 184 |
Conclusion | 206 | |
Notes | 213 | |
Index | 258 |
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Add Modernism and the Ideology of History: Literature, Politics, and the Past, Louise Williams explores the nature of historical memory in the work of five major Modernists: Yeats, Pound, Hulme, Ford and Lawrence. These Modernists, Williams argues, started their careers with historical assumptions derived from the nineteenth century, Modernism and the Ideology of History: Literature, Politics, and the Past to the inventory that you are selling on WonderClubX
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Add Modernism and the Ideology of History: Literature, Politics, and the Past, Louise Williams explores the nature of historical memory in the work of five major Modernists: Yeats, Pound, Hulme, Ford and Lawrence. These Modernists, Williams argues, started their careers with historical assumptions derived from the nineteenth century, Modernism and the Ideology of History: Literature, Politics, and the Past to your collection on WonderClub |