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Preface | ||
Acknowledgments | ||
1 | Introduction | 1 |
2 | Roxana's contractual affiliations | 32 |
3 | Clarissa Harlowe: caught in the contract | 58 |
4 | Tame spirits, brave fellows, and the web of law: Robert Lovelace's legalistic conscience | 81 |
5 | Roderick Random: suited by the law | 105 |
6 | Shadows of the prison house or shade of the family tree: Amelia's public and private worlds | 130 |
7 | The embattled middle: longing for authority in The Vicar of Wakefield | 154 |
8 | Caleb Williams: negating the romance of the public conscience | 177 |
Bibliography | 193 | |
Index | 207 |
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Add Family and the Law in Eighteenth-Century Fiction: The Public Conscience in the Private Sphere, Family and the Law in Eighteenth-Century Fiction offers challenging interpretations of the public and private faces of individualism in the eighteenth-century English novel. John P. Zomchick begins by surveying the social, historical and ideological funct, Family and the Law in Eighteenth-Century Fiction: The Public Conscience in the Private Sphere to the inventory that you are selling on WonderClubX
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Add Family and the Law in Eighteenth-Century Fiction: The Public Conscience in the Private Sphere, Family and the Law in Eighteenth-Century Fiction offers challenging interpretations of the public and private faces of individualism in the eighteenth-century English novel. John P. Zomchick begins by surveying the social, historical and ideological funct, Family and the Law in Eighteenth-Century Fiction: The Public Conscience in the Private Sphere to your collection on WonderClub |