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Book Categories |
List of illustrations | ||
Notes on contributors | ||
Acknowledgments | ||
Introduction: uncloseting women in British Romantic theatre | 1 | |
1 | Baillie, Siddons, Larpent: gender, power, and politics in the theatre of Romanticism | 23 |
2 | Reviewing women in British Romantic theatre | 48 |
3 | Women and history on the Romantic stage: More, Yearsley, Burney, and Mitford | 79 |
4 | English national identity in Mariana Stake's The Sword of Peace: India, abolition, and the rights of women | 102 |
5 | Women's sovereignty on trial: Joanna Baillie's comedy The Tryal as metatheatrics | 132 |
6 | Outing Joanna Baillie | 161 |
7 | The management of laughter: Jane Scott's Camilla the Amazon in 1998 | 178 |
8 | Elizabeth Inchbald: a woman critic in her theatrical culture | 207 |
9 | Authorial performances in the criticism and theory of Romantic women playwrights | 223 |
10 | Suicide and translation in the dramaturgy of Elizabeth Inchbald and Anne Plumptre | 257 |
11 | Remaking love: remorse in the theatre of Baillie and Inchbald | 285 |
Bibliography | 311 | |
Index | 335 |
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Add Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840, This is the first collection of essays to examine the extraordinary contribution of women playwrights, actors, translators, critics and managers who worked in British theater during the romantic period. Focusing on women well known during their day but ne, Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840 to the inventory that you are selling on WonderClubX
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Add Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840, This is the first collection of essays to examine the extraordinary contribution of women playwrights, actors, translators, critics and managers who worked in British theater during the romantic period. Focusing on women well known during their day but ne, Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840 to your collection on WonderClub |