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Preface | ||
Introduction | 1 | |
Pt. 1 | Politics, Poetics, and the Residual Precursors, 1848-1958 | |
1 | Borders, Bullets, and Ballads: The Social Making of a Master Poem | 7 |
2 | Americo Paredes, Tradition, and the First Ephebe: A Poetic Meditation on the Epic Corrido | 45 |
3 | With His Pistol in His Hand: The Essay as Strong Sociological Poem | 61 |
Pt. 2 | Social Conflict, Emergent Poetry, and the New Ephebes | |
4 | Chicano Poetry and Politics: The Later Recognition of the Precursor | 81 |
5 | My Old Man's Ballad: Jose Montoya and the Power Beyond | 95 |
6 | The Daemonizing Epic: Rodolfo "Corky" Gonzales and the Poetics of Chicano Rebellion | 115 |
7 | Juan Gomez-Quinones: The Historian in the Poet and the Poetic Form of Androgyny | 131 |
Conclusion | 155 | |
Epilogue | 173 | |
App A. Harold Bloom: An Exposition and Left Critique | 177 | |
App B. Juan Gomez-Quinones, "Canto al Trabajador" | 187 | |
App C. Juan Gomez-Quinones, "The Ballad of Billy Rivera | 189 | |
Notes | 195 | |
References | 201 | |
Index | 215 |
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Add Mexican Ballads, Chicano Poems: History and Influence in Mexican-American Social Poetry, Mexican Ballads, Chicano Poems combines literary theory with the personal engagement of a prominent Chicano scholar. Recalling his experiences as a student in Texas, José Limón examines the politically motivated Chicano poetry of the 60s and 70s. H, Mexican Ballads, Chicano Poems: History and Influence in Mexican-American Social Poetry to the inventory that you are selling on WonderClubX
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Add Mexican Ballads, Chicano Poems: History and Influence in Mexican-American Social Poetry, Mexican Ballads, Chicano Poems combines literary theory with the personal engagement of a prominent Chicano scholar. Recalling his experiences as a student in Texas, José Limón examines the politically motivated Chicano poetry of the 60s and 70s. H, Mexican Ballads, Chicano Poems: History and Influence in Mexican-American Social Poetry to your collection on WonderClub |