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Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde Book

Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde
Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde, A thoughtful and engaging contribution to the field that will have a sustained and lasting impact on the way feminist performance is defined and understood, as well as on how feminist histories and historiographies continue to challenge and transform the, Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde has a rating of 4 stars
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Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde, A thoughtful and engaging contribution to the field that will have a sustained and lasting impact on the way feminist performance is defined and understood, as well as on how feminist histories and historiographies continue to challenge and transform the, Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde
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  • Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde
  • Written by author James M. Harding
  • Published by University of Michigan Press, February 2010
  • "A thoughtful and engaging contribution to the field that will have a sustained and lasting impact on the way feminist performance is defined and understood, as well as on how feminist histories and historiographies continue to challenge and transform the
  • Sheds light on the critical role that women artists have played in the evolution of the American avant-garde
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Book Categories

Authors

Chapter 1 Toward a Feminist Historiography of American Avant-Garde Performance: Theories and Contexts 1

Chapter 2 Nude Descending Bleecker Street Baroness Elsa von Freytag-Loringhoven and Performing Gender in New York Dada 35

Chapter 3 Avant-Garde Performance, Collage Aesthetics, and Feminist Historiographies in Gertrude Stein's The Mother of Us All 67

Chapter 4 Between Material and Matrix Yoko Ono's Cut Piece and the Unmaking of Collage 93

Chapter 5 Between Dialectics, Decorum, and Collage Sabotaging Schneemann at the Dialectics of Liberation Congress, London 1967 121

Chapter 6 Forget Fame Valerie Solanas, the Simplest Surrealist Act, and the (Re)Assertion of Avant-Garde Priorities 151

Conclusion: Collage and Community 175

Notes 183

Index 215


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Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde, A thoughtful and engaging contribution to the field that will have a sustained and lasting impact on the way feminist performance is defined and understood, as well as on how feminist histories and historiographies continue to challenge and transform the, Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde

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Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde, A thoughtful and engaging contribution to the field that will have a sustained and lasting impact on the way feminist performance is defined and understood, as well as on how feminist histories and historiographies continue to challenge and transform the, Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde

Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde

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