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Selected Prose Book

Selected Prose
Selected Prose, By the end of the book, Ashbery has laid out not only a course in contemporary poetics but a portrait of the artist teaching himself to become a thoroughly Modernist poet—-in small bites, easy to savor, easy to digest.
—-<i>Los Angeles Times Book Re, Selected Prose has a rating of 4.5 stars
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Selected Prose, By the end of the book, Ashbery has laid out not only a course in contemporary poetics but a portrait of the artist teaching himself to become a thoroughly Modernist poet—-in small bites, easy to savor, easy to digest. —-Los Angeles Times Book Re, Selected Prose
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  • Selected Prose
  • Written by author John Ashbery
  • Published by University of Michigan Press, November 2005
  • "By the end of the book, Ashbery has laid out not only a course in contemporary poetics but a portrait of the artist teaching himself to become a thoroughly Modernist poet—-in small bites, easy to savor, easy to digest." —-Los Angeles Times Book Re
  • Fifty years of writing on literature, film, and art by one of the most influential poets and critics of our time
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Book Categories

Authors

The impossible : Gertrude Stein11
Review of Michel Butor's La modification15
A note on Pierre Reverdy19
Antonin Artaud : poet, actor, director, playwright24
On Raymond Roussel33
Introduction to Raymond Roussel's "In Havana"46
A conversation with Kenneth Koch55
Brooms and prisms : Jasper Johns68
Tradition and talent : Philip Booth, Stanley Moss, and Adrienne Rich73
Frank O'Hara, 1926-196678
Writers and issues : Frank O'Hara's question80
Jerboas, pelicans, and Peewee Reese : Marianne Moore83
The decline of the verbs : Giorgio de Chirico88
Introduction to a reading by Robert Duncan92
Up from the underground : Jane Bowles94
Alfred Chester's sweet freaks97
A game with shifting mirrors : Jorge Luis Borges100
Ecrivain Maudit : Witold Gombrowicz104
Straight lines over rough terrain : Marianne Moore108
The New York School of Poets113
Comment on Lee Harwood's The white room116
Review of Ted Berrigan's The sonnets117
Throughout is this quality of thingness : Elizabeth Bishop120
Further adventures of Qfwfq, et al. : Italo Calvino124
Introduction to The collected poems of Frank O'Hara128
North light : Louisa Matthiasdottir134
In the American grain : A. R. Ammons and John Wheelwright137
Jacques Rivette : Rivette masterpiece(s?)148
Introduction to E. V. Lucas and George Morrow's What a life!153
The figure in the carport : Kenward Elmslie159
Second presentation of Elizabeth Bishop164
A reminiscence : Frank O'Hara171
Schubert's unfinished : David Schubert176
On the poetry of F. T. Prince178
Introduction to Fairfield Porter's The collected poems with selected drawings181
Introduction to Marcel Allain and Pierre Souvestre's Fantomas183
Featured poet : Nicholas Moore191
An unpublished note : Raymond Roussel197
A note on "Variation on a noel"198
Foreword to The third rose : Gertrude Stein and her world200
Introduction to The best American poetry202
Introduction to a reading by James Schuyler208
Poetical space210
Introduction to a reading by Michael Palmer and James Tate216
Introduction to Raymond Roussel's Documents to serve as an outline219
Introduction to Gerrit Henry's The mirrored clubs of hell223
Preface to Mary Butts's From altar to chimney-piece225
Review of Mark Ford's Landlocked231
Introduction to Pierre Martory's The landscape is behind the door237
Introduction to a reading by Robert Creeley and Charles Tomlinson241
Robert Frost medal address243
Introduction to Robert Mapplethorpe's Pistils252
Introduction to Joe Brainard : retrospective257
Introduction to Trevor Winkfield's pageant259
Frederic Church at Olana : an artist's fantasy on the Hudson River261
Introduction to a reading by Charles North267
Obituary for Pierre Martory268
Foreword to Mark Ford's Raymond Roussel and the republic of dreams272
Introduction to exhibition catalogue : Lynn Davis276
On Jane Freilicher's View Over Mecox (yellow wall)278
Introduction to James Schuyler's Alfred and Guinevere279
Introduction to a reading by Tony Towle285
Larry Rivers was dying : he asked to see friends286
New York? Mais Oui! : Rudy Burckhardt290
Foreword to Mark Ford's Soft sift291
Preface to Paul Killebrew's Forget Rita294
On the poetry of Joan Murray296
On Val Lewton's The seventh victim299
On F. T. Prince's "The moonflower"304


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Selected Prose, By the end of the book, Ashbery has laid out not only a course in contemporary poetics but a portrait of the artist teaching himself to become a thoroughly Modernist poet—-in small bites, easy to savor, easy to digest.
—-<i>Los Angeles Times Book Re, Selected Prose

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Selected Prose, By the end of the book, Ashbery has laid out not only a course in contemporary poetics but a portrait of the artist teaching himself to become a thoroughly Modernist poet—-in small bites, easy to savor, easy to digest.
—-<i>Los Angeles Times Book Re, Selected Prose

Selected Prose

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Selected Prose, By the end of the book, Ashbery has laid out not only a course in contemporary poetics but a portrait of the artist teaching himself to become a thoroughly Modernist poet—-in small bites, easy to savor, easy to digest.
—-<i>Los Angeles Times Book Re, Selected Prose

Selected Prose

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