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Book Categories |
Acknowledgements | ||
Preface and Introduction | ||
Sect. 1 | Romanticism | |
1 | Imagining the Child | |
2 | The King of the Golden River | |
3 | Closing the garret door: a feminist reading of Little Women | |
Sect. 2 | Nineteenth-Century Literature | |
4 | Victorianism, Empire and the Paternal Voice | |
5 | Reality and Enigma in The Water-Babies | |
6 | Alice as Subject in the Logic of Wonderland | |
Sect. 3 | The Fin de Siecle | |
7 | Testing Boundaries | |
8 | The Wonderful Wizard Of Oz: Pleasure without Nightmares | |
9 | Romanticism vs Empire in The Secret Garden | |
Sect. 4 | Modernism | |
10 | New Voices, New Threats | |
11 | Connecting with Mary Poppins | |
12 | Spinning the Word: Charlotte's Web | |
13 | Real or Story?: The Borrowers | |
Sect. 5 | Postmodernism | |
14 | Playful Subversion | |
15 | Clockwork, A Fairy tale for a postmodern time | |
16 | A postmodern reflection of the genre of fairy tale: The Stinky Cheese Man and other Fairly Stupid Tales | |
Bibliography |
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