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Notes on contributors | ||
Acknowledgements | ||
1 | Introduction | 1 |
2 | The subtexts of The Roaring Girl | 12 |
3 | Twins and travesties: gender, dependency and sexual availability in Twelfth Night | 27 |
4 | Disruptive desire: artifice and indeterminacy in Jacobean comedy | 39 |
5 | Transvestism and the 'body beneath': speculating on the boy actor | 64 |
6 | Desire's excess and the English Renaissance theatre: Edward II, Troilus and Cressida, Othello | 84 |
7 | 'Lawless desires well tempered' | 103 |
8 | Making a difference: male/male 'desire' in tragedy, comedy, and tragi-comedy | 127 |
9 | The (in)significance of 'lesbian' desire in early modern England | 150 |
10 | Sex and social conflict: the erotics of The Roaring Girl | 170 |
Index | 191 |
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Add Erotic Politics, Identifying the stage as a primary site for erotic display, these essays take eroticism in Renaissance culture as a paradigm for issues of sexuality and identity in early modern culture. Contributors examine how the Renaissance stage functioned as a decod, Erotic Politics to the inventory that you are selling on WonderClubX
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Add Erotic Politics, Identifying the stage as a primary site for erotic display, these essays take eroticism in Renaissance culture as a paradigm for issues of sexuality and identity in early modern culture. Contributors examine how the Renaissance stage functioned as a decod, Erotic Politics to your collection on WonderClub |