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Introduction | xix | |
I. | Film Noir: "All hail sleaze and evil" | |
Reservoir Dogs | 1 | |
Romeo Is Bleeding | 5 | |
The Last Seduction | 6 | |
Blood Simple | 9 | |
Pulp Fiction | 12 | |
The Grifters | 15 | |
Article: "Old Film Noir Flickers Ironically Through New Noir" | 17 | |
II. | The Outlaw Life: "Sex and death entwined in style" | |
One False Move | 27 | |
Wild at Heart | 28 | |
Thelma & Louise | 31 | |
Kalifornia | 33 | |
Natural Born Killers | 35 | |
True Romance | 38 | |
Article: "Pulp Fiction Gets Reel: Slick Films Grow From Seedy Novels" | 41 | |
III. | Sexual Obsession: "A mad yin-yang of fear and desire" | |
Fatal Attraction | 49 | |
Boxing Helena | 51 | |
Blue Velvet | 53 | |
Basic Instinct | 56 | |
Crimes of Passion | 58 | |
The Accused | 61 | |
Article: "A Clueless 'Basic Instinct' Glorifies Male Virility, Power While Denigrating Women" | 63 | |
IV. | "True" Criminals: "Not exactly Rhodes scholars to begin with" | |
Murder One | 69 | |
Brother's Keeper | 71 | |
The Krays | 73 | |
The Thin Blue Line | 75 | |
Henry: Portrait of a Serial Killer | 78 | |
V. | Horror: "In the moist and ferny jungle of the id" | |
The Silence of the Lambs | 83 | |
Manhunter | 84 | |
The Hitcher | 87 | |
The Stepfather | 88 | |
A Nightmare on Elm Street | 91 | |
The Evil Dead | 93 | |
Day of the Dead | 95 | |
Jason Goes to Hell: The Final Friday | 97 | |
Slumber Party Massacre | 98 | |
Article: "History's Psychopathic Killers Paralleled by Film Monsters" | 101 | |
Article: "Horrors! What Are Movies Coming To?" | 106 | |
VI. | Wise Guys: "Can the family that slays together stay together?" | |
GoodFellas | 115 | |
Prizzi's Honor | 117 | |
The Godfather, Part III | 120 | |
Bugsy | 123 | |
Scarface | 126 | |
The Untouchables | 129 | |
Harlem Nights | 131 | |
VII. | Cops-R-Us: "A lot of wrecked flesh around" | |
Lethal Weapon | 137 | |
Lethal Weapon 3 | 139 | |
48 Hrs. | 141 | |
Blue Steel | 144 | |
The Dead Pool | 146 | |
In the Line of Fire | 149 | |
Article: "Hollywood's Shooting Stars" | 151 | |
VIII. | Action-Adventure: "The myth of masculine force" | |
Die Hard | 161 | |
The Terminator | 163 | |
Terminator 2 | 166 | |
First Blood | 168 | |
Rambo: First Blood, Part II | 171 | |
Rambo III | 174 | |
True Lies | 177 | |
Article: "Guns Are Gold on Today's Silver Screen" | 179 | |
Article: "All Fired Up Over Big Guns: Hollywood's Still Promoting Myths" | 187 | |
IX. | The Wild, Wild West: "Death comes all at once, and how!" | |
Unforgiven | 195 | |
Dances With Wolves | 197 | |
Posse | 200 | |
Tombstone | 202 | |
Wyatt Earp | 204 | |
The Wild Bunch | 207 | |
X. | The Future: "Smiling through the apocalypse" | |
Total Recall | 215 | |
RoboCop | 217 | |
The Road Warrior | 219 | |
Aliens | 223 | |
Blade Runner | 225 | |
XI. | War: "The charisma of brutality" | |
Full Metal Jacket | 231 | |
Platoon | 235 | |
The Killing Fields | 237 | |
Casualties of War | 241 | |
Article: "Changing Film Images of Vietnam" | 244 | |
Born on the Fourth of July | 249 | |
Glory | 252 | |
Article: "The Patriot Game: Two New Films Take Opposite Views of War" | 255 | |
Schindler's List | 260 | |
Shoah | 263 | |
Sophie's Choice | 267 | |
Article: "The Holocaust on the Screen" | 271 | |
Article: "Second Thoughts on Spielberg but No Second Guesses" | 277 | |
XII. | Race In America: "Rage, ambiguity and native ugliness" | |
A Soldier's Story | 285 | |
Malcolm X | 288 | |
Do the Right Thing | 291 | |
Boyz N the Hood | 293 | |
Betrayed | 295 | |
The Color Purple | 298 | |
XIII. | Domestic Violence: "When love has fled" | |
What's Love Got to Do With It? | 305 | |
The War of the Roses | 307 | |
Sleeping with the Enemy | 309 | |
Article: "Crash! Go Movie Marriages" | 311 | |
The Hand That Rocks the Cradle | 316 | |
This Boy's Life | 318 | |
Legends of the Fall | 320 | |
Article: "Major-League Anger" | 323 | |
XIV. | No Exit: "Lost in hell or some suburb thereof" | |
Last Exit to Brooklyn | 333 | |
Sid and Nancy | 335 | |
River's Edge | 337 | |
Glengarry Glen Ross | 339 | |
The King of Comedy | 341 | |
Short Cuts | 344 | |
Bad Lieutenant | 347 | |
XV. | Late Developments: "Slap another Maverick on my Hornet. I've got aliens to nuke!" | |
Article: "Films Under Fire" | 351 | |
The Usual Suspects | 357 | |
To Die For | 359 | |
GoldenEye | 361 | |
Heat | 363 | |
Broken Arrow | 366 | |
Fargo | 368 | |
Primal Fear | 371 | |
Taxi Driver | 373 | |
Independence Day | 379 | |
Courage Under Fire | 381 | |
Epilogue: Article: "Father of Darkness" | 387 |
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Add Violent Screen: A Critic's 13 Years on the Front Lines of Movie Mayhem, Baltimore Sun movie critic Stephen Hunter takes aim at 13 years (1981-94) of popular movies, from film noir to teenage slashers, gangster flicks to sci-fi pics, and examines the current, and often violent, culture of modern cinema. Organized by topic, thi, Violent Screen: A Critic's 13 Years on the Front Lines of Movie Mayhem to the inventory that you are selling on WonderClubX
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Add Violent Screen: A Critic's 13 Years on the Front Lines of Movie Mayhem, Baltimore Sun movie critic Stephen Hunter takes aim at 13 years (1981-94) of popular movies, from film noir to teenage slashers, gangster flicks to sci-fi pics, and examines the current, and often violent, culture of modern cinema. Organized by topic, thi, Violent Screen: A Critic's 13 Years on the Front Lines of Movie Mayhem to your collection on WonderClub |