Nothing but Trouble: The Story of Althea Gibson Book

I'm not ashamed to say it. Say the name "Althea Gibson" to me a month ago and you'd have met a blank stare. Say it to me now, however, and you may suffer the indignity of finding me thrusting Sue Stauffacher's newest picture book, "Nothing but Trouble: The Story of Althea Gibson," into your arms while screaming into your ears its high points. This might be so bad either if the book only had a high-point here or there, but the fact of the matter is that "Althea Gibson" is ALL high points. It's a rip-roaring, snorting, fast and frenzied, well-researched, reiterated, illustrated, formulated bit of picture book biography magnificence. With the author of the "Donuthead" books on the one hand and soon-to-be-recognized-for-his-magnificence artist Greg Couch filling in the necessary art, "Althea Gibson" has everything you could possibly want going for it. It's fun. It's funny. It's smart and interesting, and has a flawed heroine you can't help but want to know more about. If your young child is looking for a biography of a woman and you don't know where to turn, I can't think of a better book available to you. There's something about Althea.

Ask anyone. Ask her mama her daddy her teacher or the cop down the street that busted her for petty theft. They'll all tell you the same: That Althea Gibson is nothing but trouble. More comfortable tearing up the playground in the 1930s than sitting at a desk in school, Althea has a reputation for recklessness. None of that is enough to scare off play leader Buddy Walker, however. When he sees Althea play sports, he can only see raw talent and untapped potential. With his guidance and the help of the Sugar Hill's ritzy tennis court "The Cosmopolitan", Althea is given the chance to improve her style. Problem is, she has a hard time with being polite, following the rules, and not punching out her fellow players' lights. It takes time and patience and self-control to make Althea the best she can possibly be, but by 1957 she becomes the first African-American to win at Wimbledon. And though she could hog all the credit for herself, Ms. Gibson gives full credit to that amazing Buddy Walker who had the smarts to become her mentor.

It's always more interesting to read about a flawed hero. Perfect people do not a fascinating story make. Maybe that's why the trend in children's biographies lately has been to tell the tale of those men and women who weren't made of solid gold from birth onwards. Between Kathleen Krull's, "Isaac Newton", Laura Amy Schlitz's, "The Hero Schliemann," and now Stauffacher's, "Nothing but Trouble," biographies for kids are getting better and better with every coming year. The nice thing about Althea is that for all her pouts and ill-manners, she's shown here to be someone who could conquer the world if she just applied a little self-control. As Buddy tells her at one point, "You've got to decide, Althea. Are you going to play your game, or are you going to let the game play you? When I go to the jazz club, I play like a tiger, but I wear a tuxedo." Stauffacher draws much of her dialogue out of Althea's biographies "I Always Wanted to Be Somebody" and "So Much to Life For." Even without such lines, however, the author knows how to put a good story together. This plot is carefully crafted. From the timeline in the back (written on tennis balls, no less) to the great opening line, ("Althea Gibson was the tallest, wildest tomboy in the history of Harlem") to the thin slices of her life, Stauffacher does a stand up job.

Stauffacher and Couch have found something to say about Althea that hasn't yet been said in the realm of children's literature and their passion in bringing Althea's passion to life is worth taking note of. So stand back now. I'm going to say something and I'm going to say it loud. This book not only pairs well with "Wilma Unlimited" by Kathleen Krul