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Acknowledgments | ||
Introduction | 1 | |
1 | Deconstructing the Black Bourgeoisie: Subversions and Diversions in the Fiction of Jessie Fauset | 19 |
2 | "How It Feels to Be Colored Me": Social Protest in the Fiction of Zora Neale Hurston | 67 |
3 | A Closet Revolutionary: The Politics of Representation in the Fiction of Dorothy West | 117 |
Conclusion | 149 | |
Selected Bibliography | 153 | |
Index | 157 |
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Add Rereading the Harlem Renaissance: Race, Class, and Gender in the Fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy West, African American writers of the Harlem Renaissance generally fall into three aesthetic categories: the folk, which emphasizes oral traditions, African American English, rural settings, and characters from lower socioeconomic levels; the bourgeois, which p, Rereading the Harlem Renaissance: Race, Class, and Gender in the Fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy West to the inventory that you are selling on WonderClubX
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Add Rereading the Harlem Renaissance: Race, Class, and Gender in the Fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy West, African American writers of the Harlem Renaissance generally fall into three aesthetic categories: the folk, which emphasizes oral traditions, African American English, rural settings, and characters from lower socioeconomic levels; the bourgeois, which p, Rereading the Harlem Renaissance: Race, Class, and Gender in the Fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy West to your collection on WonderClub |