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Introduction | ||
A world made cunningly : a closer look at Ann Petry's short fiction | 1 | |
Ann Petry and African poetics : a review of "Solo on the drums" | 13 | |
Folk traditions in the short fiction of Ann Petry | 19 | |
Artistic discourse in three short stories by Ann Petry | 31 | |
Jazz/blues structure in Ann Petry's "Solo on the drums" | 49 | |
"Miss Muriel" : rewriting innocence into experience | 59 | |
"From a thousand different points of view" : the multiple masculinities of Ann Petry's "Miss Muriel" | 79 | |
Riot as ritual : Ann Petry's "In darkness and confusion" | 97 | |
"Ain't no room for us anywhere" : reading Ann Petry's "In darkness and confusion" as a migration narrative | 105 | |
Apartheid among the dead; or, on Christian laughter in Ann Petry's "The bones of Louella Brown" | 111 | |
The narrator as feminist ally in Ann Petry's "The bones of Louella Brown" | 119 | |
Taking the cake : Ann Petry's "Has anybody seen Miss Dora Dean?" | 125 | |
"The man who cried I am" : reading race, class, and gender in Ann Petry's "The witness" | 141 | |
Traumatic reenactment and the impossibility of African American testimony in Ann Petry's "Like a winding sheet" and "The witness" | 153 |
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Add Ann Petry's Short Fiction: Critical Essays, This collection of critical essays is the first work to examine the short stories of Ann Petry, a noted African American writer. While best known for her best-selling debut novel, The Street, the focus of this text is her equally important, but less famil, Ann Petry's Short Fiction: Critical Essays to the inventory that you are selling on WonderClubX
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Add Ann Petry's Short Fiction: Critical Essays, This collection of critical essays is the first work to examine the short stories of Ann Petry, a noted African American writer. While best known for her best-selling debut novel, The Street, the focus of this text is her equally important, but less famil, Ann Petry's Short Fiction: Critical Essays to your collection on WonderClub |