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| Acknowledgements | ||
| General Editors' Preface | ||
| Introduction | 1 | |
| 1 | Self, Society and Myth in Toni Morrison's Fiction | 27 |
| 2 | The Crime of Innocence: Tar Baby and the Fall Myth | 43 |
| 3 | Hagar's Mirror: Self and Identity in Morrison's Fiction | 52 |
| 4 | 'No Bottom and No Top': Oppositions in Sula | 70 |
| 5 | Tar Baby: A Reflection of Morrison's Developed Class Consciousness | 89 |
| 6 | Knowing Our Place: Psychoanalysis and Sula | 103 |
| 7 | Selfhood and Community: Psychoanalysis and Discourse in Beloved | 110 |
| 8 | Knitting and Knotting the Narrative Thread - Beloved as Postmodern Novel | 128 |
| 9 | Daughters Signifying(g) History: The Example of Toni Morrison's Beloved | 140 |
| 10 | Experiencing Jazz | 154 |
| 11 | Signifyin(g) Abjection: Narrative Strategies in Toni Morrison's Jazz | 170 |
| Further Reading | 194 | |
| Notes on Contributors | 207 | |
| Index | 209 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
FRANK FORE
reviewed Toni Morrison on April 17, 2016
Toni Morrison
Boring and stiff costume drama script
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Add Toni Morrison, The essays in this volume represent the range of different approaches which critics have taken to Toni Morrison's work. However, the essays have not neglected the traditional fare of scholarship and provide insights into the structure, themes, language an, Toni Morrison to your collection on WonderClub |
