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Prologue : lost in the middle | 1 | |
Introduction : the photography of social form | 13 | |
1 | Photographic being and the family of man | 59 |
2 | Photographic anguish and the Americans | 105 |
3 | The photographic comportment of Bernd and Hilla Becher | 137 |
Epilogue : art and objecthood | 177 |
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Add The Pivot of the World: Photography and Its Nation, The old dream of social belonging and political sovereignty—the dream of nation—was fraught with anxiety and contradiction for many artists and intellectuals in the 1950s. On the one hand, memories of the Second World War remained vivid and the chauvinism, The Pivot of the World: Photography and Its Nation to the inventory that you are selling on WonderClubX
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Add The Pivot of the World: Photography and Its Nation, The old dream of social belonging and political sovereignty—the dream of nation—was fraught with anxiety and contradiction for many artists and intellectuals in the 1950s. On the one hand, memories of the Second World War remained vivid and the chauvinism, The Pivot of the World: Photography and Its Nation to your collection on WonderClub |