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Series Foreword | ||
Foreword: The Leonardo Women, Art, and Technology Project | ||
Preface | ||
Introduction: At the Intersection of Art and Technology in a Time of Transformation | ||
1 | Women and the Search for Visual Intelligence | 2 |
2 | The Poetics of Interactivity | 16 |
3 | Women, Body, Earth | 34 |
4 | Restructuring Power: Telecommunication Works Produced by Women | 54 |
5 | Through the Looking Glass | 86 |
6 | My Love Affair with Art: Video and Installation Work | 104 |
7 | Transmission | 114 |
8 | The Individual Voice as a Political Voice: Critiquing and Challenging the Authority of Media | 134 |
9 | Small Leaps to Ascend the Apple Tree | 148 |
10 | Shifting Positions Toward the Earth: Art and Environmental Awareness | 160 |
11 | Process(ing) Interactive Art: Using People as Paint, Computer as Brush, and Installation Site as Canvas | 180 |
12 | Touch-Sensitivity and Other Forms of Subversion: Interactive Artwork | 192 |
13 | Bicycle TV: Expo '92 Installation | 206 |
14 | Acoustic and Virtual Space as a Dynamic Element of Music | 212 |
15 | "I Always Like to Go where I Am Not Supposed to Be" | 224 |
16 | Algorithmic Art, Scientific Visualization, and Tele-Immersion: An Evolving Dialog with the Universe | 242 |
17 | My Autobiographical Media History: Metaphors of Interaction, Communication, and Body Using Electronic Media | 260 |
18 | Reflections on Some Installation Projects | 276 |
19 | Do While Studio | 290 |
20 | Tech Work by Heart | 302 |
21 | Imagine a Space Filled with Data... | 312 |
22 | Landscape, Earth, Body, Being, Space, and Time in the Immersive Virtual Environments Osmose and Ephemere | 322 |
23 | Sound Installations and Spatialization | 338 |
24 | A Tool is a Tool | 348 |
25 | Production and Reproduction | 362 |
26 | Your Words, My Silent Mouth: Trying to Make Narrative Sense Out of Nonnarrative Work (a Brief Collection of Interviews and Polemics in the Interest of Aesthetic Quasi-Clarity) | 376 |
27 | Video Arte Povera: Lo-Fi Rules! | 388 |
28 | Face Settings: An International Co-Cooking and Communication Project by Eva Wohlgemuth and Kathy Rae Huffman | 398 |
29 | Diane Fenster: The Alchemy of Vision | 412 |
30 | Pigs, Barrels, and Obstinate Thrummers | 426 |
31 | Fleshmotor | 440 |
32 | Embodiment and Narrative Performance | 452 |
33 | Brazilian Counterparts: Old Histories and New Designs | 466 |
34 | Technology has Forgotten Them: Developing-World Women and New Information Technologies | 478 |
35 | Crossing the Threshold: Examining the Public Space of the Web Through Day Without Art Web Action | 492 |
36 | Contested Zones: Futurity and Technological Art | 502 |
App.: Listing of Web Site Contents | 523 | |
Contributors | 527 | |
Index | 531 |
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