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| Acknowledgments | ||
| Introduction: Black and Red All Over? | 1 | |
| 1 | Kitchen Mechanics and Parlor Nationalists: Andy Razaf, Black Bolshevism, and Harlem's Renaissance | 13 |
| 2 | Home to Moscow: Claude McKay's: The Negroes in America and the Race of Marxist Theory | 63 |
| 3 | The Proletarian as New Negro; the New Negro as Proletarian: Mike Gold Meets Claude McKay | 95 |
| 4 | Scottsboro Delimited: White Bait, Red Triangles, and Interracialism Between Men | 125 |
| 5 | Black Belt/Black Folk: The End(s) of the Richard Wright-Zora Neale Hurston Debate | 153 |
| 6 | Native Sons Divorce: A Conclusion | 179 |
| Notes | 203 | |
| Bibliography | 221 | |
| Index | 239 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Samuel Higgins
reviewed New Negro, Old Left: African-American Writing and Communism Between the Wars on April 02, 2012
New Negro, Old Left: African-American Writing and Communism Between the Wars
Farr, an English college professor, provides insights into the debate between literary and popular value and questions the old school that insists anything not on "the list" or written within the last 100 years isn't true literature. She defends Oprah as a teacher who challenges her viewers and shows them the joys of reading, not only classic, but novels one can relate to, appreciate, and learn from. Book clubs have grown in huge numbers. I just joined one myself and can appreciate the social enjoyment of discussing shared books with friends.
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