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Acknowledgments | ||
Introduction: Of Masks, Mimicry, and Invisibility | 1 | |
1 | Sable Patriots and Modern Egyptians: Phillis Wheatley, Joel Barlow, and Ann Eliza Bleecker | 15 |
2 | Capturing the Captivity: African Americans Among the Puritans | 41 |
3 | Enslaving the Saved: The Narratives of Henry Bibb and William Wells Brown | 67 |
4 | "It is natural to believe in great men" | 89 |
5 | The Blackwoman in the Attic | 117 |
6 | Dressing Up and Dressing Down: Elizabeth Keckley's Behind the Scenes at the White House and Eliza Potter's A Hairdresser's Experience in High Life | 151 |
Conclusion: The Beginning of African American Literature | 185 | |
Notes | 191 | |
Bibliography | 223 | |
Index | 243 |
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Add We Wear the Mask: African Americans Write American Literature, 1760-1870, Uncovers the strategies early African American writers used both to create an African American identity and to make their visions and stories accessible to white readers. Alongside these pioneers of black American literature Zafar juxtaposes some familiar, We Wear the Mask: African Americans Write American Literature, 1760-1870 to the inventory that you are selling on WonderClubX
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Add We Wear the Mask: African Americans Write American Literature, 1760-1870, Uncovers the strategies early African American writers used both to create an African American identity and to make their visions and stories accessible to white readers. Alongside these pioneers of black American literature Zafar juxtaposes some familiar, We Wear the Mask: African Americans Write American Literature, 1760-1870 to your collection on WonderClub |