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Acknowledgments
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Introduction: How Do I Make that Sound? A New Feminist Poetics 1
1 Finding Her Voice: The Body Politics of Sherley Anne Williams's Blues 19
2 Nationhood Re-Formed: Revolutionary Style and Practice in Sonia Sanchez's Jazz Poetics 47
3 Talk to Me: Ecofeminist Disruptions in the Jazz Poetry of Jayne Cortez 79
4 Shape-Shifting: The Urban Geographies of Wanda Coleman's Jazz Poetry 109
5 Jazz's Word for It: Harryette Mullen and the Politics of Intellectualism 141
Conclusion: "Too Many Books For Our Eyes"; Future Politics, Future Poetries 173
Notes 181
Bibliography 199
Index 217
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Eric Deussen
reviewed Post-Jazz Poetics: A Social History on January 19, 2013
Post-Jazz Poetics: A Social History
Very interesting, he never wrote until he was 36 after failing at everything else he tried. He became rhe most read author in the world but always struggled with money because of bad spending habits. He was also a racist and believed in eugenics , great story.
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Add Post-Jazz Poetics: A Social History, African-American expressive arts draw upon multiple traditions of formal experimentation in the service of social change. Within these traditions, Jennifer D. Ryan demonstrates that black women have created literature, music, and political statements sign, Post-Jazz Poetics: A Social History to the inventory that you are selling on WonderClubX
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Add Post-Jazz Poetics: A Social History, African-American expressive arts draw upon multiple traditions of formal experimentation in the service of social change. Within these traditions, Jennifer D. Ryan demonstrates that black women have created literature, music, and political statements sign, Post-Jazz Poetics: A Social History to your collection on WonderClub |
