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Those who have had the good luck to discover Robert Pogue Harrison's brilliant, revelatory work, Forests, will not be surprised by the daring of conception, the range of erudition, and the acuity of the perception and expression that mark The Dominion of the Dead. His subject is vast: the whole of human culture, of the self-image of humanity as it is perpetuated in human action and imagination, all of which, is inseparable fromindeed, it arises fromour awareness that we are not self-authored, that we follow in the footsteps of the dead. This is profoundly suggestive and illuminating work, and with its predecessor it represents a contemporary mind with a vision that seems to me indispensable.
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