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Note on Texts and Abbreviations | ||
Introduction | ||
1 | 'And I Stain'd the Water Clear': Blake | 3 |
2 | 'The Words He Uttered...': Wordsworth | 25 |
3 | 'That Dome in Air': Coleridge | 62 |
4 | 'A Being More Intense': Byron | 93 |
5 | 'The Mind Which Feeds This Verse': Shelley (1) | 119 |
6 | The Sensitive-Plant: Evaluation and the Self-Conscious Poem: Shelley (2) | 155 |
7 | 'The Reading of an Ever-Changing Tale': Keats (1) | 180 |
8 | Writing and History in Hyperion and The Fall of Hyperion: Keats (2) | 210 |
9 | Yeats and Stevens: Two Versions of Post-Romantic Self-Consciousness | 237 |
10 | Making and Faking: W. H. Auden | 259 |
11 | 'The Knowledge of Contrast, Feeling for Light and Shade': Amy Clampitt's 'Voyages: A Homage to John Keats' | 271 |
Bibliography | 290 | |
Index | 303 |
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Add Romanticism and the Self-Conscious Poem, This book explores the self-conscious poem - that is, a poem concerned with poetry that displays awareness of itself as poetry - in the work of the major Romantic poets, Blake, Wordsworth, Coleridge, Byron, Shelley, and Keats. Michael O'Neill's readings, Romanticism and the Self-Conscious Poem to the inventory that you are selling on WonderClubX
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Add Romanticism and the Self-Conscious Poem, This book explores the self-conscious poem - that is, a poem concerned with poetry that displays awareness of itself as poetry - in the work of the major Romantic poets, Blake, Wordsworth, Coleridge, Byron, Shelley, and Keats. Michael O'Neill's readings, Romanticism and the Self-Conscious Poem to your collection on WonderClub |