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Foreword | ||
About the Series | ||
About This Case Study | ||
About the Author | ||
Acknowledgments | ||
List of Figures | ||
Ch. 1 | Four Questions, Four Journeys | 1 |
The Geography and Prehistory of Bali | 8 | |
Ch. 2 | Beginning Fieldwork | 17 |
Beginning Research | 21 | |
Defining a Research Topic | 23 | |
The Balinese Map of the Inner and Outer Worlds | 23 | |
The Tika: Cycles of Time | 28 | |
The Inner Compass and the Human Life Cycle | 31 | |
The Inner Compass and the Community | 42 | |
Ch. 3 | Art and Everyday Life | 49 |
Alango | 53 | |
Taksu and a Poet's Right | 55 | |
Taksu and the Puppeteer People | 57 | |
Art in the Villages | 61 | |
Art, Ritual, and Temples | 66 | |
A Calon Arang Performance at the Temple of Death | 69 | |
Conclusion: Art and Balinese Culture | 72 | |
Ch. 4 | The Goddess and the Green Revolution | 75 |
The Goddess of the Lake and Her Temple | 77 | |
A Quarrel between Subaks | 82 | |
The Cosmological Role of Water Temples | 84 | |
Ecology of the Rice Terraces | 87 | |
Ecological Crisis: The Green Revolution | 90 | |
Studying the Ecological Role of Water Temples | 93 | |
Water Temples As a Complex Adaptive System | 97 | |
Conclusion: Are the Water Temples Obsolete? | 99 | |
Ch. 5 | Bali and the West | 103 |
Lost Causes and Impossible Odds (the "Purwa Senghara") | 104 | |
The King's Poem | 109 | |
The Priest's Poem | 110 | |
Opium Reconsidered | 111 | |
Colonial Bali | 113 | |
The Post-Colonial Era | 114 | |
World Renewal | 117 | |
Appendix: An artist's impression of the water temple system | 123 | |
Appendix: Plan of the Temple of the Crater Lake | 124 | |
Films about Bali | 131 | |
Glossary of Balinese Terms | 135 | |
Recommended Readings | 137 | |
Index | 141 |
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