Doña Bárbara Book

3.5*** (rounded up)

This classic of South American literature was first published in 1929 and virtually forgotten by US readers. It first came to my attention through Public Broadcasting System's Great American Read program in 2019.

It is an epic tale of two cousins who are fighting for control of a vast estate / ranch in Venezuela. Doña Barbara is beautiful and powerful. At her core she hates men for the way she was used and abused as a young girl. She has earned a reputation as a witch and is widely known for using, abusing and tossing aside her lovers as whim and her needs dictate. She fits perfectly into the wild, untamed landscape of the llano (prairie) and the surrounding swamps, bogs and jungles.

In contrast, we have Santos Luzardo, who, while born on the plains has long left for an education in the city. Now he returns to reclaim his inheritance - land and cattle. But he retains the manners and customs of his city education. Their battle is both cerebral (who can outwit the other?), and physical, involving seduction, chicanery, violence, gamesmanship, cunning and some magic as well.

The novel is an early example of magical realism and Gallegos weaves together adventure, fantasy, and romance. He uses vivid description and outlandish storytelling (I loved the one-eyed monster alligator!) to bring this era to life. The various outdoor scenes were particularly exciting - I could practically taste the grit, feel the dust in my nostrils, hear the roar of stampeding herd, and smell the smoke of an uncontrolled wildfire.

If there was an element that made me downgrade my rating it was the story of Marisela, and the way that Doña Barbara came to terms with that character. It was rather melodramatic and very soap-opera-ish.

In the introduction, Larry McMurtry writes: "[Doña Barbara] is, in her way, a tragic heroine, seeking to attract a decent lover, while giving herself day and night to very coarse lovers indeed. She is, however very vividly drawn, a Bovary of the llano."