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Nobody knows exactly what happened in the small town of Klausen, or rather, everyone knows: a bomb went off on the autobahn, or at a shack near the autobahn, or someone was shooting at the town from a bridge; it all stems from a fight over measuring noise pollution on the town square, or it was the work of eco-terrorists, or Italians. And while nobody knows who or what to blameâ€â€although they’re certainly uneasy about the Moroccan and Albanian immigrants who are squatting in an abandoned castleâ€â€they all suspect that Josef Gasser, who spent several years away from Klausen, in Berlin, is behind it all. Only one thing is clear: Klausen was now a crime scene. In Klausen, Andreas Maier has taken Thomas Bernhard’s methodâ€â€the nested indirect speech, the repetition, the endless paragraphâ€â€and pointed it at an entire town. A town where one confusion leads to the next, where everyone is living in a fog of rumor, but where everyone claims to know exactly what’s going on, even if they’ve changed their story several times.
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