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Acknowledgements | ||
Note on the text | ||
Introduction | 1 | |
Island protected by a bridge of glass | 7 | |
Scenes from an album | 8 | |
The silver dollar boys | 9 | |
The fabulous journey of Mac Con Glin | 10 | |
The informer | 11 | |
The hidden curriculum | 13 | |
Here are ladies | 14 | |
The communication cord | 15 | |
The golden hair | 18 | |
Pledges and promises | 18 | |
The great hunger | 20 | |
The Gigli concert | 21 | |
Horseman pass by | 23 | |
Bust | 25 | |
The diamond body | 26 | |
The interrogation of Ambrose Fogarty | 27 | |
The riot act | 29 | |
Northern star | 31 | |
Observe the sons of Ulster marching towards the Somme | 34 | |
Baglady | 36 | |
Conversations on a homecoming | 37 | |
Rise up lovely Sweeney | 39 | |
I'll go on | 42 | |
Callers | 43 | |
Wasters | 44 | |
Bailegangaire | 47 | |
Double cross | 50 | |
Studs | 53 | |
Ourselves alone | 55 | |
Cromwell | 56 | |
Brownbread | 58 | |
Pentecost | 60 | |
Somewhere over the balcony | 62 | |
Exit entrance | 63 | |
Sea urchins | 65 | |
Boss Grady's boys | 66 | |
Carthaginians | 67 | |
Bat the father, rabbit the son | 69 | |
Departed | 70 | |
Torchlight and laser bemas | 71 | |
Home | 72 | |
Una Pooka | 74 | |
Wild Harvest | 77 | |
King of the castle | 80 | |
Blood guilty | 83 | |
The trial of Esther Waters | 85 | |
The lament for Arthur Cleary | 86 | |
La Corbiere | 87 | |
War | 87 | |
Blinded by the light | 91 | |
Dancing at Lughnasa | 93 | |
The siege of Derry Pageant | 98 | |
The sinking of the Titanic | 101 | |
Poor beast in the rain | 101 | |
The cure at Troy | 102 | |
The holy ground and in high Germany | 106 | |
Prayers of Sherkin | 109 | |
Wonderful Tennessee | 112 | |
Brothers of the brush | 115 | |
I know my own heart | 118 | |
At the black pig's dyke | 121 | |
The last Apache reunion | 123 | |
Asylum! asylum! | 126 | |
True lines | 128 | |
The Mai | 128 | |
Chamber music | 131 | |
Hidden charges | 133 | |
Danti-Dan | 135 | |
A little like paradise | 137 | |
Hard to believe | 140 | |
Red roses and petrol | 142 | |
Sick, dying, dead, buried, out | 145 | |
April bright | 147 | |
The steward of Christendom | 150 | |
The ginger ale boy | 152 | |
Monkey | 155 | |
A night in November | 157 | |
The beauty queen of Leenane | 159 | |
The gay detective | 162 | |
Portia Coughlan | 164 | |
True lines and double helix | 167 | |
Strawberries in December | 169 | |
In a little world of our own | 172 | |
Catalpa | 174 | |
Mrs Sweeney | 176 | |
The Leenane trilogy | 179 | |
The cripple of Inishmaan | 183 | |
The weir | 184 | |
Lovers at Versailles | 186 | |
Ariel | 188 | |
Famine | 191 | |
The sanctuary lamp | 193 | |
A whistle in the dark | 196 | |
Nightshade | 197 | |
I do not like thee, Doctor Fell | 198 | |
Hatchet | 200 | |
Summer | 202 | |
A crucial week in the life of a grocer's assistant | 204 | |
Talbot's box | 206 | |
Big Maggie | 208 | |
The gentle island | 211 | |
Waiting for Godot | 213 | |
The death and resurrection of Mr. Roche | 216 | |
Aristocrats | 220 | |
Faith healer | 223 | |
Sharon's grave | 226 | |
The field | 229 | |
The loves of Cass McGuire | 231 | |
Da | 234 | |
Sive | 236 | |
Frank pig says hello | 238 | |
Happy days | 242 | |
The hostage | 246 | |
Philadelphia, here I come! | 252 | |
Translations | 259 | |
The myth of our renaissance | 267 | |
Banking on miracles | 270 | |
Revivals touched by the mood of the eighties | 274 | |
Overturning a favourite theme | 277 | |
Into the 90s: setting the stage for an exciting, dizzying decade | 280 | |
Right and wrong roles for theatre design | 283 | |
What is really new about the new wave | 285 | |
Double worlds | 288 | |
The Field Day Anthology of Irish writing | 292 | |
I'm relieved I was wrong | 294 | |
Hugh Leonard | 297 | |
Tom Murphy | 299 | |
Brian Friel | 302 | |
Samuel Beckett | 307 | |
Thomas Kilroy | 310 | |
Sebastian Barry | 313 | |
Song of the white man's Burden | 319 | |
Too much too young | 320 | |
Return to the hill | 322 | |
The business of blood | 323 | |
from Lack of access to arts goes to the heart of poverty trap | 325 | |
A picture of paradise | 325 | |
He left quietly | 328 | |
Putting my prejudices on the table | 331 | |
from The golden rule is that there is no golden rule | 333 | |
from If this is criticism, I want my old job back | 337 | |
In conversation with Redmond O'Hanlon | 341 | |
Afterword | 379 | |
Index | 385 |
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