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Introduction: The Concatenation of Art and Revolution 9
The Three Components of the Revolutionary Machine 25
Out of Sync: The Paris Commune as Revolutionary Machine 67
The Courbet Model. Sequential Concatenation: Artist, Revolutionary, Artist 97
Spirit and Betrayal: German "Activism" in the 1910s 113
Disruptive Monsters: From Representing to Constructing Situations 131
"Art and Revolution," 1968: Viennese Actionism and the Negative Concatenation 187
The Transversal Concatenation of the PublixTheatreCaravan: Temporary Overlaps of Art and Revolution 203
After 9/11: Postscript on an Immeasurable Border Space 237
Notes 267
Bibliography 299
Index 313
Acknowledgments 320
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Add Art and Revolution: Transversal Activism in the Long Twentieth Century, Gerald Raunig has written an alternative art history of the long twentieth century, from the Paris Commune of 1871 to the turbulent counter-globalization protests in Genoa in 2001. Meticulously moving from the Situationists and Sergei Eisenstein to Vien, Art and Revolution: Transversal Activism in the Long Twentieth Century to the inventory that you are selling on WonderClubX
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Add Art and Revolution: Transversal Activism in the Long Twentieth Century, Gerald Raunig has written an alternative art history of the long twentieth century, from the Paris Commune of 1871 to the turbulent counter-globalization protests in Genoa in 2001. Meticulously moving from the Situationists and Sergei Eisenstein to Vien, Art and Revolution: Transversal Activism in the Long Twentieth Century to your collection on WonderClub |