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Translator's Introduction | vii | |
Knight's Move | ||
First Preface | 3 | |
Bundle | ||
Second Preface | 5 | |
Setting the Frame | ||
Petersburg During the Blockade | 9 | |
Regarding Art and Revolution | ||
"Ullya, Ullya, Martians" | 21 | |
Pounding Nails with a Samovar | 25 | |
Gooseberry Jam | 28 | |
A Flag Is Snapping | 31 | |
The Appeasers | 34 | |
Drama and Mass Productions | 36 | |
Papa-That's an Alarm Clock | 39 | |
Collective Creativity | 42 | |
In My Own Defense | 46 | |
Regarding Psychological Footlights | 48 | |
Speaking in a Loud Voice | 51 | |
The Visual Arts | ||
Regarding "The Great Metalworker" | 54 | |
Space in Painting and the Suprematists | 58 | |
Regarding Texture and Counter-Reliefs | 65 | |
The Monument to the Third International | 69 | |
Ivan Puni | 71 | |
The Law of Inequality | ||
Parallels in Tolstoy | 73 | |
Contemporary Theater | ||
Embellished Tolstoy | 79 | |
Folk Comedy and The First Distiller | 83 | |
The Art of the Circus | 86 | |
With Regard to Tastes | 89 | |
Apropos of King Lear | 92 | |
The Old and the New | 96 | |
Regarding Merezhkovsky | 98 | |
The Comic and the Tragic | 101 | |
Shoeing a Flea | 107 | |
Eating Fish by Cutting It with a Knife | 111 | |
A Thousand Herrings | 112 | |
Completing the Frame | ||
I and My Coat | 115 | |
A Rock on a String | ||
Rollercoaster | 120 | |
Coffins Back | 122 | |
A Boxer Down for the Count | 124 | |
A Free Port | 126 | |
Afterword | ||
The Tsar's Kitchen | 130 | |
Translator's Notes | 133 |
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