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Book Categories |
Preface to the American edition | ||
Preface to the German edition | ||
Translator's Note | ||
Introduction | ||
Sculpture and Machine | 1 | |
Natural History Void of Time | 7 | |
Natural Formations and Ancient Sculpture | 11 | |
The Collector as Prometheus | 19 | |
Quiccheberg's Theory | 28 | |
The Habsburg Practice | 30 | |
From Kepler to Locke | 37 | |
Movement and Magic | 46 | |
Laboratory | 51 | |
Utopia | 57 | |
Francis Bacon's Definition of the Kunstkammer | 63 | |
Resting, Erring, and Constrained Nature | 65 | |
Creation as a Game | 67 | |
The Kunstkammer as a Playroom | 69 | |
Utility | 81 | |
Socialization | 86 | |
The Villa Albani | 92 | |
Winckelmann and Piranesi | 93 | |
Foucault's Image in the Sand | 109 | |
Turning's "tape" | 111 | |
Notes | 115 | |
Index of Names | 139 |
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